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The album's second track, "The Lost Souls", was originally titled "The Art of Drowning". [6] " The Despair Factor" features AFI's first notable use of electronic drums. [7] On the song, vocalist Davey Havok states: "My whole life is a dark room... one big dark room," a line spoken by Winona Ryder in the film Beetlejuice (1988). [7]
[81] [82] AFI's first three albums, Answer That and Stay Fashionable (1995), [83] Very Proud of Ya (1996), [81] and Shut Your Mouth and Open Your Eyes (1997), [84] all have been described as hardcore punk. AFI's fourth album Black Sails in the Sunset and the band's fifth album The Art of Drowning both have been described as horror punk. [80]
The Art of Drowning: 2000 "Snow Cats" Davey Havok Jade Puget: AFI: 2017 "Soap-Box Derby" Davey Havok Markus Stopholese Very Proud of Ya: 1996 "So Beneath You" Davey Havok Jade Puget: AFI: 2017 "Still a Stranger" Davey Havok Jade Puget: AFI: 2017 "A Story at Three" Adam Carson Davey Havok Hunter Burgan Jade Puget: The Art of Drowning' 2000 ...
"The Days of the Phoenix" is a song by the American rock band AFI. It was released to radio as the only single from their fifth studio album The Art of Drowning in 2000. On the album's track listing, the song's title is written as "Days of the Phoenix".
The album's tracks are presented in reverse chronological order from their Nitro Records release dates, beginning with material from The Art of Drowning (2001) and proceeding through the All Hallow's E.P. (1999), Black Sails in the Sunset (1999), Shut Your Mouth and Open Your Eyes (1997), Very Proud of Ya (1996), and Answer That and Stay ...
All Hallow's E.P. is an extended play by American punk rock band AFI. It was released on October 5, 1999, through Nitro Records . It contains three original songs and a cover of the Misfits song " Halloween ".
"Girl's Not Grey" is a song by American rock band AFI. It was released as the debut single from their sixth studio album, Sing the Sorrow (2003), debuting on radio on February 4, 2003. [ 7 ] It is the band's third most successful single, peaking at No. 7 on the Alternative Songs Chart and No. 14 on the Bubbling Under Hot 100 Chart.
Some critics felt that this direction marked one of the most ambitious albums by AFI, while others felt it was done as a cautious move to appeal to mainstream audiences. Commercially, AFI was the band's most successful domestic album since Decemberunderground, debuting at number 5 on the Billboard 200, with