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Gilles Louis René Deleuze (/ d ə ˈ l uː z / də-LOOZ; French: [ʒil dəløz]; 18 January 1925 – 4 November 1995) was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art.
Spinoza: Practical Philosophy (French: Spinoza: Philosophie pratique) (1970; second edition 1981) is a book written by French philosopher Gilles Deleuze which examines Baruch Spinoza's philosophy, discussing Ethics (1677) and other works such as the Tractatus Theologico-Politicus (1670), providing a lengthy chapter defining Spinoza's main concepts in dictionary form.
Download as PDF; Printable version; In other projects ... Pages in category "Works by Gilles Deleuze" The following 18 pages are in this category, out of 18 total.
The development of a bird egg; the egg is a prominent figure of the body without organs in Capitalism and Schizophrenia.. The concept of the body without organs was mainly defined by Deleuze and Guattari in the two volumes of their work Capitalism and Schizophrenia, Anti-Oedipus and A Thousand Plateaus. [11]
Like the first volume of Deleuze and Guattari's Capitalism and Schizophrenia, Anti-Oedipus (1972), A Thousand Plateaus is politically and terminologically provocative and is intended as a work of schizoanalysis, [2] but focuses more on what could be considered systematic, environmental and spatial philosophy, often dealing with the natural world, popular culture, measurements and mathematics.
Expressionism in Philosophy: Spinoza (French: Spinoza et le problème de l'expression) is a 1968 book by the philosopher Gilles Deleuze, in which the author conceives Baruch Spinoza as a solitary thinker who envisioned philosophy as an enterprise of liberation and radical demystification.
A line of flight or a line of escape (French: ligne de fuite) is a concept developed by Gilles Deleuze and Félix Guattari in their work Capitalism and Schizophrenia.It describes one out of three lines forming what Deleuze and Guattari call assemblages, and serves as a factor in an assemblage that ultimately allows it to change and adapt to said changes, which can be associated with new ...
Deleuze argues that Henri Bergson developed "the notion of the virtual to its highest degree" and that he based his entire philosophy on it. [5] Both Henri Bergson, and Deleuze himself build their conception of the virtual in reference to a quotation in which writer Marcel Proust defines a virtuality, memory as "real but not actual, ideal but ...