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"Nuestro Cuatro: Volumen 1", The Puerto Ricans and their stringed instruments. An unprecedented documentary that reveals the emotional story of the development and the history of the music and stringed instruments traditions of Puerto Rico. "Nuestro Cuatro: Volumen 2", Un Concierto Histórico/A Historical Concert. The conclusion of the video ...
The Puerto Rican cuatro, a staple of jibaro music Jíbaro culture is also characterized by its own typical Puerto Rican folk music, commonly termed " jíbaro music ". [ 12 ] " Jíbaro music and dance was the principal musical expression of the humble and hardworking mountain people who worked the coffee plantations and inland farms of Puerto Rico."
The Venezuelan Cuatro Chord Bible: A D F# B Standard Tuning 1,728 Chords. Cabot Books. ISBN 978-1-906207-00-7. Tobe A. Richards (2007). The Puerto Rican Cuatro Chord Bible: B E A D G Standard Tuning 1,728 Chords. Cabot Books. ISBN 978-1-906207-06-9. Eric F. Milland Ramos (2004). Método Para El Aprendizaje Del Cuatro Puertorriqueño.
The tiple is the smallest of the three string instruments of Puerto Rico that make up the orquesta jibara (i.e., the Cuatro, the Tiple and the Bordonua). According to investigations made by Jose Reyes Zamora, the tiple in Puerto Rico dates back to the 18th century. It is believed to have evolved from the Spanish guitarrillo.
English: Historic model of the Puerto Rican "Cuatro," a type of guitar from Puerto Rico and Venezuela. Picture taken in the Museo de la Música Puertorriqueña.
Their instruments [4] were relatives of the Spanish vihuela, especially the cuatro — which evolved from four single strings to five pairs of double strings — [5] and the lesser known tiple. [6] A typical jíbaro group nowadays might feature a cuatro, guitar, and percussion instrument such as the güiro scraper and/or bongo.
Víctor Guillermo "Yomo" Toro (26 July 1933 – 30 June 2012) was a Puerto Rican left-handed guitarist and cuatro player. [1] Known internationally as "The King of the Cuatro," Toro recorded over 150 albums throughout a 60-year career and worked extensively with Cuban legends Arsenio Rodríguez and Alfonso "El Panameño" Joseph; salsa artists Willie Colón, Héctor Lavoe and Rubén Blades; and ...
As a result, the Puerto Rican tres is shaped like a Puerto Rican cuatro, with cut-outs, unlike the Cuban variety, which has a guitar-like shape. By 1934, the Puerto Rican cuatro had reached New York and nowadays most Puerto Rican tres players specialize in their national adaptation of the instrument, a notable exception being Nelson González ...