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AllMusic says that How the Gods Kill "continues to expand the band's musical range". [3] Pitchfork said that the album's sound reflected "Danzig‘s interest in pre-rock blues and pop music"; [4] melding the influences of Willie Dixon, Roy Orbison and Howlin' Wolf into a sound that the magazine described as "Danzig at his most sinister, yet also his most human". [4]
Manley Laboratories, Inc. is an American manufacturer of pro audio and high-end audio equipment located in Chino, California.. The first Manley-branded products were introduced in 1989, with Manley Laboratories becoming an independent company in 1993.
Bullz-Eye criticized Thile's vocal quality, saying that "his voice often lacks the strength and/or character to carry the song". [18] On the contrary, the previously mentioned JamBase article complimented Thile's vocal strength, saying "it's the soul in Thile's voice and the heart and intensity of the musicianship that give the album its power ...
Booker’s vocal chain usually included a Neumann U 67 with an Altec tube preamp and a UA 175 compressor, recording was often done with other instruments such as Sennheiser 441, in rotation to the main instruments used. the main guitars used for recording were 60s hollow-body Super Lynx Deluxe Vox, and an ’80s Ibanez Matsumoku Roadster.
Its lower sensitivity requires higher gain from the mic preamp, or an inline gain booster. [19] Podcasting became popular around 2005, often recording at home. The early podcasters used broadcast microphones of proven designs, such as the Shure SM7B and the RE20 family. The EV RE320 began to grow in popularity because of its lower price.
A representative valve preamp from the 1950s is the Leak 'varislope' series of preamps, which included a switchable rumble filter, a switchable scratch filter with selectable slopes and corner frequency, continuously variable treble and bass tone controls and a selection of 4 different gramophone equalisations (RIAA, ortho, RCA, 78).
Larger clubs and concert venues typically use a more complex type of monitor system which has two or three different monitor speakers and mixes for the different performers, e.g., vocalists and instrumentalists. Each monitor mix contains a blend of different vocal and instruments, and an amplified speaker is placed in front of the performer.
Peter Frampton's talk box. A talk box (also spelled talkbox and talk-box) is an effects unit that allows musicians to modify the sound of a musical instrument by shaping the frequency content of the sound and to apply speech sounds (in the same way as singing) onto the sounds of the instrument.
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