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The game is a modern interpretation of the Greek legend of Orpheus and Eurydice. The game is a combination of two ideas: Cavanagh wished to create a "silly shooter" where the player's actions were "redeemed" after being shown from a different perspective, and he also wished to create a game where the gameplay acted as a metaphor for the player ...
Eurydice's father reads to her from King Lear in a Shimer College production of Eurydice. The play consists of three movements, divided into numerous scenes: 7 in the first movement, 20 in the second movement, and 3 in the third movement. The play begins with Eurydice and Orpheus, two young lovers, who are about to get married.
Orpheus and Eurydice in Palais Garnier, Paris.Their names are in Greek, ΟΡΦΕΥΣ (Orpheus) and ΕΥΡΥΔΙΚΗ (Eurydice). In Virgil's classic version of the legend, it completes his Georgics, a poem on the subject of agriculture.
The scene is Orpheus and Eurydice's home in Thrace. There is a mirror on the left wall and at stage rear a white horse, protruding from a niche. As the play begins Orpheus is trying to interpret a message that the horse is tapping out with his hoof. Eurydice expresses her jealousy for the supernatural nag who takes so much of her husband's time.
The Tale of Orpheus and Erudices his Quene is a poem by the Scottish Northern Renaissance poet Robert Henryson that adapts and develops the Greek myth which most famously appears in two classic Latin texts, the Metamorphoses of Ovid and the Georgics of Virgil. Jacopo del Sellaio, Orpheus and Eurydice, c.1480
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Orpheus und Eurydike (Orpheus and Eurydice) is an opera by Ernst Krenek.The German text is based on a play by Oskar Kokoschka.Kokoschka began writing his play during his convalescence (from wounds received on the Ukrainian front in 1915) and it premiered in 1921, one year before Rilke's Sonnets to Orpheus appeared.
Distraught, Orpheus travels to the Underworld to negotiate with Hades and the gods to free Eurydice. After Orpheus sings a depressing song, Hades, the god of the Underworld, agrees to let Eurydice return with Orpheus as long as Eurydice follows Orpheus from behind, and he does not look back at her. If he does, she must stay in the Underworld.
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