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The 8th and 9th book of the Denkard give an overview of the Avesta as it was available at the time. Whereas the 8th book lists the content, the 9th book provides a lengthy summary on a number of its nasks [6] In addition, the Rivayats, a series of epistles from the 15th - 17th century, also list its content but do not provide further summaries ...
Illustrations to the Kebra Nagast, 1920s. The Kebra Nagast, var. Kebra Negast (Ge'ez: ክብረ ነገሥት, kəbrä nägäśt), or The Glory of the Kings, is a 14th-century [1] national epic of Ethiopia, written in Geʽez by the nebure id Ishaq of Aksum.
The Kingdom of Nagash was an early medieval kingdom centered in Northeast Africa. According to Al-Yaqubi , it is one of six Beja polities that existed in the region during the 9th century. The kingdom's territory was located between Aswan and Massawa .
Sidra d-Nišmata (Book of Souls) (first part of the Qulasta) ʿNiania (The Responses) (part of the Qulasta) Drašâ d-Jōhânā (Mandaean Book of John, also known as The Book of Kings) Diwan Abathur (Scroll of Abatur) (DC 8) Harran Gawaitha (Scroll of Great Revelation) (DC 9, 36) Diwan Maṣbuta d-Hibil Ziwa (The Baptism of Hibil Ziwa) (DC 35)
[8] [9] Ethiopian sources instead state that a different king named Adriaz was a contemporary of prophet Muhammad. [7] An unpublished manuscript dates his reign to 603–623 E.C. . [ 7 ] According to Aleqa Taye Gabra Mariam , the Muslim migration took place in 620 E.C. and coincided with the reign of Aderaz.
Maqamat Badi' al-Zaman al-Hamadhani (Arabic: مقامات بديع الزمان الهمذاني), are an Arabic collection of stories from the 9th century, written by Badi' al-Zaman al-Hamadani. Of the 400 episodic stories, roughly 52 have survived.
A regnal list included in a book titled History of the Kings of Dabra Yahanes (1903), edited by Italian orientalist Carlo Conti Rossini and quoted by E. A. Wallis Budge. [96] The list is similar to the lists in variation 2 until the reign of Constantinos (Yeshak), after whom the order slightly varies.
Al-Qatt Al-Asiri (also called nagash painting or majlis painting), is a style of South Arabian art, typically painted by women in the entrance to a home. It originated in the 'Asir Region of Saudi Arabia where the front parlour of traditional Arab homes typically contained wall paintings in the form of a mural or fresco with geometric designs ...