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Ronald Glen Miles (May 9, 1963 – March 8, 2022) was an American jazz trumpeter, cornetist, and composer. He recorded for the labels Prolific (1986), Capri (1990), and Gramavision . [ 2 ] His final album, Old Main Chapel , his second on the Blue Note label, was released posthumously in 2024.
The following is an alphabetical list of jazz trumpeters This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a roughly five-decade career that kept him at the forefront of many major ...
British jazz/free-improvising vocalist and trumpeter United Kingdom: 1940-11-02 Torquay: Q2085688: Anatoliy Yevdokymenko: Ukrainian singer (1942-2002) Ukraine Soviet Union: 1942-01-20 2002-10-23 Kapitanivka: Kyiv: Q4172903: Lee Loughnane: American musician, member of Chicago United States of America: 1946-10-21 Elmwood Park: Q5963972: Phil ...
Miles & Quincy: Live at Montreux is a collaborative live album by American jazz trumpeter Miles Davis and conductor Quincy Jones. It was recorded at the 1991 Montreux Jazz Festival and released by Warner Bros. Records in 1993. Miles & Quincy: Live at Montreux charted at number one on the Billboard Top Jazz Albums. [1]
The 100-year-old crossword puzzle just got an update! Daily Celebrity Crossword is the first and only daily crossword puzzle that features the latest in pop culture and entertainment. No more
Freddie Webster (June 8, 1916 – April 1, 1947) was a jazz trumpeter who, Dizzy Gillespie once said, "had the best sound on trumpet since the trumpet was invented--just alive and full of life." [ 1 ] He is perhaps best known for being cited by Miles Davis as an early influence. [ 2 ]
Nardis" is a composition by American jazz trumpeter Miles Davis. It was written in 1958, during Davis's modal period, to be played by Cannonball Adderley for the album Portrait of Cannonball. [1] The piece has come to be associated with pianist Bill Evans, who performed and recorded it many times.
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