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The Chesterfield coat, with its heavy waist suppression using a waist seam, gradually replaced the over-frock coat during the second half of the 19th century as a choice for a formal overcoat, and survived as a coat of choice over the progression from frock coat everyday wear to the introduction of the lounge suit, but remained principally associated with formal morning dress and white tie.
In the first decades of the 20th century, it was replaced by sack overcoats like the Chesterfield coat, the guard's coat, and the Ulster coat and the Inverness coats and such, mirroring the change from frock coats to modern suit jackets. The expensive over-frock became impractical in comparison.
Art Nouveau line art. Line art emphasizes form and drawings, of several (few) constant widths (as in technical illustrations), or of freely varying widths (as in brush work or engraving). Line art may tend towards realism (as in much of Gustave Doré's work), or it may be a caricature, cartoon, ideograph, or glyph.
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An overcoat is designed to be worn as the outermost garment worn as outdoor wear; [14] while this use is still maintained in some places, particularly in Britain, elsewhere the term coat is commonly used mainly to denote only the overcoat, and not the under-coat. A topcoat is a slightly shorter [citation needed] overcoat, if any distinction is ...
Crombie 1805 Ltd., formerly known as J&J Crombie Ltd., are the owners of the globally recognised Crombie brand, producing high-end clothing and accessories, for men and women under the Crombie brand name and label. The brand is famous for being worn by Royalty, Presidents, Statesman and Hollywood stars from Cary Grant in the 1920s up until ...
The Ulster coat, a working daytime overcoat initially with a cape top covering sleeves, but then without; it evolved to the polo coat after losing its cape. The Inverness coat, a formal evening or working day overcoat, with winged sleeves. The Paletot coat, a coat shaped with side-bodies, as a slightly less formal alternative to the frock overcoat.
Prior to the inception of the Ulster coat in the first half of the nineteenth century, the greatcoat or surtout was the main component of a gentleman's wardrobe. Whilst fashionable at the time, these garments proved to be very cumbersome for travel due to the heavy lengths of overlapping cloth involved in creating the silhouette.
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