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"Me and the Devil Blues" is a blues song by Robert Johnson. It tells the story of the singer's waking up one morning to the devil knocking on the door, telling him that "it's time to go". [1] The lyrics concluded with the lines "You may bury my body down by the highway side" / "So my old evil spirit can catch a Greyhound bus and ride."
I'm New Here is a post-industrial blues album, [2] with spoken word folk songs and trip hop interludes. [3] I'm New Here received positive reviews from most critics and sold 3,700 copies in the US in its first week. It was promoted with the single "Me and the Devil", an adaptation of blues musician Robert Johnson's "Me and the Devil Blues" (1937).
The devil imagery found in the blues is thoroughly familiar from western folklore, and nowhere do blues singers ever mention Legba or any other African deity in their songs or other lore. The actual African music connected with cults of Legba and similar trickster deities sounds nothing like the blues, but rather features polyrhythmic ...
Prior to Johnson's recording, the phrase "hellhound on my trail" had been used in various blues songs. [1] Sylvester Weaver's "Devil Blues", recorded in 1927 contains: "Hellhounds start to chase me man, I was a running fool, My ankles caught on fire, couldn't keep my puppies cool" [3] and "Funny Paper" Smith in his 1931 "Howling Wolf Blues No. 3" sang: "I take time when I'm prowlin', an' wipe ...
In 1959, "Preachin' Blues" (Johnson's last Vocalion single), was the first of his recordings to appear on an album. Folkways Records included it on a compilation of songs by early blues musicians, titled The Country Blues. [19] In 1961, Columbia released King of the Delta Blues Singers, the first album to feature Johnson exclusively. [32]
Pump Up the Volume (Music From the Original Motion Picture Soundtrack) is the soundtrack to Allan Moyle's 1990 drama film Pump Up the Volume. It was released on August 14, 1990 through MCA Records . The album peaked at number 50 on the US Billboard 200 chart.
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Many of Johnson's recordings were reworkings of songs by other popular artists of the time, and he drew heavily from Wheatstraw's repertoire. For example, Wheatstraw's "Police Station Blues" forms the basis for Johnson's "Terraplane Blues". [23] His nickname "Devil's Son-in-Law" also resonated with Johnson's similar image. [24]
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