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From about age 3 or 4, Moore would hear music and naturally visualize it as shapes and patterns. At age 7, when his piano teacher would play the songs he was to learn, Moore recognized those same shapes and patterns across the keyboard. Decades later, Moore described his approach to this blind student, giving the boy a way to feel the shapes ...
Billy Moore (musician, born 1931) (1931–2002), Guyana Caribbean musician Wild Bill Moore (1918–1983), tenor saxophone player Expos William Moore (critic) (1868–1937), Australian art critic and author
William Moore Jr. (December 7, 1917, Parkersburg, West Virginia — February 28, 1989, Copenhagen) was an American jazz pianist and arranger. Moore was chiefly known as an arranger for most of his jazz career, writing charts for Jimmie Lunceford , Charlie Barnet , Jan Savitt , and Tommy Dorsey in the 1940s.
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The piano is often used to provide harmonic accompaniment to a voice or other instrument.However, solo parts for the piano are common in many musical styles. These can take the form of a section in which the piano is heard more prominently than other instruments, or in which the piano may be played entirely unaccompanied.
Neil Moore at the Abundance 360 event in Beverly Hills, California. Neil Moore is the founder of Simply Music, [1] an international music education organization with over 700 locations worldwide. [2] He also created the Simply Music piano method and composed much of the music used in the organization's piano programs. [2]
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]
A block chord is a chord or voicing built directly below the melody either on the strong beats or to create a four-part harmonized melody line in "locked-hands" [1] rhythmic unison with the melody, as opposed to broken chords. This latter style, known as shearing voicing, was popularized by George Shearing, but originated with Phil Moore. [1]
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