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The Poème de l'amour et de la mer (literally, Poem of Love and the Sea), Op. 19, is a song cycle for voice and orchestra by Ernest Chausson. It was composed over an extended period between 1882 and 1892 and dedicated to Henri Duparc. Chausson would write another major work in the same genre, the Chanson perpétuelle, in 1898.
The Rime of the Ancient Mariner (originally The Rime of the Ancyent Marinere), written by English poet Samuel Taylor Coleridge in 1797–98 and published in 1798 in the first edition of Lyrical Ballads, is a poem that recounts the experiences of a sailor who has returned from a long sea voyage.
"Two Lovers and a Beachcomber by the Real Sea" is a poem written by Sylvia Plath that was first published in 1955, the year she graduated from Smith College summa cum laude. [1] An abstract poem about an absent lover, it uses clear, vivid language to describe seaside scenery, with "a grim insistence" on reality rather than romance and imagination.
"The Wave" is a poem expressing Gruffudd's homesickness as, on board a ship in a Spanish harbour, he awaits favourable weather for his return journey. [8] It is also a cywydd llatai, a love poem in which a non-human messenger is sent to the beloved, [9] in this case one of the massive North Atlantic billows for which the Bay of Biscay is known
The poem in BL Add. MS 14997, a manuscript dating from c. 1500. The academic critic Huw Meirion Edwards considered that "The Seagull"’s imagery goes far beyond anything that had come before it in Welsh poetry, [7] and Anthony Conran wrote that "pictorially it is superb…[it] has the visual completeness, brilliance and unity of a medieval illumination, a picture from a book of hours". [8]
Salt-Water Poems and Ballads is a book of poetry on themes of seafaring and maritime history by British future Poet Laureate John Masefield. It was first published in 1916 by Macmillan, with illustrations by Charles Pears. The collection includes "Sea-Fever" and "Cargoes", two of Masefield's best known poems.
Devoid of love and light the world is a maze of confusion left by 'retreating' faith." [26] Critics have questioned the unity of the poem, noting that the sea of the opening stanza does not appear in the final stanza, while the "darkling plain" of the final line is not apparent in the opening. [27] Various solutions to this problem have been ...
The poem is dedicated to Auden's friends James and Tania Stern. It was first published in 1944 together with Auden's long poem, his Christmas Oratorio "For the Time Being" in a book also titled For the Time Being. [2] A critical edition with introduction and copious textual notes by Arthur Kirsch was published in 2003 by Princeton University Press.