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Before the development of ADT, it was necessary to record and mix multiple takes of the vocal track. Because it is nearly impossible for a performer to sing or play the same part in exactly the same way twice, a recording and blending of two different performances of the same part will create a fuller, "chorused" effect with double tracking.
Some of the effects they employed were sampling, artificial double tracking (ADT) and the elaborate use of multitrack recording machines. They also used classical instruments on their recordings and guitar feedback. The group's attitude towards the recording process was summed up by Paul McCartney: "We would say, 'Try it. Just try it for us.
Ducking here works through the use of a "side chain" gate. In other words, one track is made quieter (the ducked track) whenever another (the ducking track) gets louder. This may be done with a gate with its ducking function engaged or by a dedicated ducker. A typical application is to achieve an impression similar to the "pumping" effect. The ...
It is a form of overdubbing; the distinction comes from the doubling of a part, as opposed to recording a different part to go with the first. The effect can be further enhanced by panning one of the performances hard left and the other hard right in the stereo field. Audio example of double tracking with saturated electric guitars playing chords.
Further development of the classic effect is attributed to Ken Townsend, an engineer at EMI's Abbey Road Studio, who devised a process in the spring of 1966. Tired of laboriously re-recording dual vocal tracks, John Lennon asked Townsend if there was some way for the Beatles to get the sound of double-tracked vocals without doing the work.
Broadband de-essing using bandpass filtered side-chain. With this technique, the signal feeding the side-chain of a dynamic-range compressor is equalized or filtered so that the sibilant frequencies are most prominent. As a result, the compressor only reduces the level of the signal when there is a high level of sibilance.
Goregrind and occasionally death metal use vocals that are often pitch-shifted to sound unnaturally low and guttural. The famous bass intro to the song " Seven Nation Army " by The White Stripes , is the result of guitarist Jack White playing an electric guitar through a pitch shifting effects pedal set to an octave below.
The signal may also be routed into an external effects processor, such as a reverb effect, which outputs a wet (effected) version of the signal, which is typically mixed in varying amounts with the dry (effect-free) signal. Many electronic effects units are used in sound reinforcement systems, including digital delay and reverb. Some concerts ...
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