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Yves Klein (French: [iv klɛ̃]; 28 April 1928 – 6 June 1962) was a French artist and an important figure in post-war European art. He was a leading member of the French artistic movement of Nouveau réalisme founded in 1960 by art critic Pierre Restany .
This page was last edited on 9 September 2023, at 18:38 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
This page was last edited on 20 September 2023, at 02:39 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Radigue, the only musician in the group, took care of tuning the voices together to produce a chord. A few years later, Yves Klein asked Radigue to write the Monotone-Silence Symphony for him, but Radigue refused, "for many reasons", then redirected Klein to composer Louis Saguer, to whom Klein finally entrusted the symphony's production. [5]
Paul Nyzam, in the Yves Klein website states: "With their absorptive and highly material 'living' sponges affixed to a monochrome plane of colour, Klein's sponge-reliefs are the quintessential (ultramarine International Klein Blue) but within the context of Klein's spiritual trinity of colour, the corporeal, material colour of rose or pink ...
FC1 (Fire Color 1) is a painting by French painter Yves Klein, created in 1962. It was one of his last and largest paintings, measuring 141 by 299.5 cm. It was one of his last and largest paintings, measuring 141 by 299.5 cm.
IKB 79 is a painting by French artist Yves Klein, made in 1959. It is one of his monochrome series of around 200. It uses a shade of blue that he developed, International Klein Blue, based on the pigment ultramarine. The painting has the dimensions of 139.7 by 119.7 cm. It is held at the Tate Modern, in London. [1] [2]
Yves Peintures (Eng: Yves Paintings) is an artist's book by the French artist Yves Klein, originally published in Madrid, on 18 November 1954. [ 1 ] [ 2 ] This publication was Klein's first public gesture as an artist, featuring pages of 'commercially printed papers' [ 3 ] that were seemingly reproductions of paintings that, in fact, didn't exist.