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Ada Dietz (1882 – 1981) was an American weaver best known for her 1949 monograph Algebraic Expressions in Handwoven Textiles, which defines weaving patterns based on the expansion of multivariate polynomials. [9] J. C. P. Miller used the Rule 90 cellular automaton to design tapestries depicting both trees and abstract patterns of triangles. [10]
Pin weaving is a form of small-scale weaving traditionally done on a frame made of pins; the warp and weft are wrapped around the pins. Pin-woven textiles have a selvage edge all the way around. [1] Pin looms were popular from the 1930s to the 1960s. [1] Quite elaborate patterns were published, especially in the 1930s. [2]
Ada K. Dietz (left) and Ruth E. Foster (right) weaving on Lou Tate Little Looms at the Little Loomhouse, Louisville, KY, circa late 1940s. Ada K. Dietz (October 7, 1888 – January 12, 1981) was an American weaver best known for her 1949 monograph Algebraic Expressions in Handwoven Textiles, which defines a novel method for generating weaving patterns based on algebraic patterns.
Support from the Nantucket Historic Trust provided pay and housing for professionals in the textile arts from all over the world to teach needlery at the resident classes. Workshops were offered year round in subjects such as tapestry, weaving, vegetal dye, spinning, bobbin lace, and silk screen printing.
As the work progresses, the weaving is held in place with pins set in a lace pillow, the placement of the pins usually determined by a pattern or pricking pinned on the pillow. Bobbin lace is also known as pillow lace, because it was worked on a pillow, and bone lace, because early bobbins were made of bone [1] or ivory.
Swivel weaving is a decorative technique that involves producing intricate designs on other weaves, such as a basic plain weave structure [3] or satin. [1] In swivel weaving, the weft yarns are used to create patterns on the fabric. The weft threads are interlaced with the warp threads in a specific order to produce the desired pattern on the ...
Tree shaping (also known by several other alternative names) uses living trees and other woody plants as the medium to create structures and art. There are a few different methods [2] used by the various artists to shape their trees, which share a common heritage with other artistic horticultural and agricultural practices, such as pleaching, bonsai, espalier, and topiary, and employing some ...
Typically, for Ravenstail pieces, it is created in modern times using black and white (and sometimes yellow) colored merino sheep-wool [5] (sometimes with the traditional slender strands of animal sinew or, a more modern substitute, small amounts of silk) [6] or, when legally available and affordable to the weaver, the original traditional ...