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The film's screenplay. The film opens with text explaining that the film's writing began with the ChatGPT prompt, "Write a plot for a film where a screenwriter realizes he is less good than artificial intelligence." The text explains that from there, the filmmakers used ChatGPT to write the film without alterations aside from shortening scenes.
A literary text is a piece of writing, such as a book or poem, that has the purpose of telling a story or entertaining, as in a fictional novel. Its primary function as a text is usually aesthetic, but it may also contain political messages or beliefs.
In literary theory, literariness is the organisation of language which through special linguistic and formal properties distinguishes literary texts from non-literary texts (Baldick 2008). The defining features of a literary work do not reside in extraliterary conditions such as history or sociocultural phenomena under which a literary text ...
There is not a set formula to describe a text’s textuality; it is not a simple procedure. This summary is true even though the interpretation that a reader develops from that text may decide the identity and the definitive meanings of that text. Textuality, as a literary theory, is that which constitutes a text in a particular way. The text ...
In literary theory, a text is any object that can be "read", whether this object is a work of literature, a street sign, an arrangement of buildings on a city block, or styles of clothing. [ citation needed ] It is a set of signs that is available to be reconstructed by a reader (or observer) if sufficient interpretants are available.
Stylistics, a branch of applied linguistics, is the study and interpretation of texts of all types, but particularly literary texts, and spoken language with regard to their linguistic and tonal style, where style is the particular variety of language used by different individuals in different situations and settings.
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He then applied this idea of "open works" to literary texts and other works of art. Every work of art can be read, according to Eco, in three distinct ways: the moral, the allegorical and the anagogical. Each is not only distinct but can be fully anticipated and directed by the author (or the artist) of the work.