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The women of Amphissa formed a protective ring around them and when they awoke arranged for them to return home unmolested. The Women of Amphissa by Lawrence Alma-Tadema. On another occasion, the Thyiades were snowed in on Parnassos and it was necessary to send a rescue party. The clothing of the men who took part in the rescue froze solid.
The Women of Amphissa is an oil on canvas painting by Sir Lawrence Alma-Tadema, made in 1887. It is held at the Clark Art Institute , in Williamstown . It depicts a group of maenads waking up in the market of Amphissa , after a night of debauchery.
Initiates worshipped him in the Dionysian Mysteries, which were comparable to and linked with the Orphic Mysteries, and may have influenced Gnosticism. Orpheus was said to have invented the Mysteries of Dionysus. [1] It is possible that water divination was an important aspect of worship within the cult. [2]
References have also been uncovered to "women of Oinoa", the "place of wine", who may correspond to the Dionysian women of later periods. [33] Golden naiskos with Dionysus, 2nd cent. BC. Other Mycenaean records from Pylos record the worship of a god named Eleuther, who was the son of Zeus, and to whom oxen were sacrificed.
The Dionysian Mysteries were a ritual of ancient Greece and Rome which sometimes used intoxicants and other trance-inducing techniques (like dance and music) to remove inhibitions. It also provided some liberation for men and women marginalized by Greek society, among which were slaves, outlaws, and non-citizens.
The clothing of men and women at several social levels of Ancient Egypt are depicted in this tomb mural from the 15th century BC. The preservation of fabric fibers and leathers allows for insights into the attire of ancient societies. The clothing used in the ancient world reflects the technologies that these peoples mastered. In many cultures ...
The most conspicuous members of the procession were the chorēgoí (χορηγοί, "sponsors", literally: "chorus leaders"), who were dressed in the most expensive and ornate clothing. After the pompē , the chorēgoí led their choruses in the dithyrambic competitions.
Ino was a primordial Dionysian woman, nurse to the god and a divine maenad. ( Kerenyi 1976 , p. 246) Ino was the second wife of the Minyan king Athamas , mother of Learchus and Melicertes and stepmother of Phrixus and Helle .
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