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The New Persian word فروهر is read as foruhar or faravahar (pronounced as furōhar or furūhar in Classical Persian).The Middle Persian forms were frawahr (Book Pahlavi: plwʾhl, Manichaean: prwhr), frōhar (recorded in Pazend as 𐬟𐬭𐬋𐬵𐬀𐬭; it is a later form of the previous form), and fraward (Book Pahlavi: plwlt', Manichaean: frwrd), which was directly from Old Persian ...
The Hadish Palace of Xerxes is one of palaces at Persepolis. It's located on the east of the Palace of H (Artaxerxes I). The palace occupies the highest level of terrace and stands on the living rock. The inscriptions of the palace attest that the building was built by order of Xerxes. It covers an area of 2550 square meters (40*55 meters).
The tomb was originally designed by the Iranian architect, Haj Hossein Lurzadeh who aside from Ferdowsi's tomb also created some 842 mosques, as well as the private palace of Ramsar, part of the decoration of the Marmar palace, the Imam Hossein Mosque in Tehran, the Motahari Mosque, and various parts of the Hazrat-i-Seyyed-o-Shouhada shrine in Karbala, Iraq. [5]
Achaemenid architecture includes all architectural achievements of the Achaemenid Persians manifesting in construction of spectacular cities used for governance and inhabitation (Persepolis, Susa, Ecbatana), temples made for worship and social gatherings (such as Zoroastrian temples), and mausoleums erected in honor of fallen kings (such as the burial tomb of Cyrus the Great).
Farahabad (Persian: فرحآباد; "abode of joy") was a palace and city built by Shah Abbas I in Mazandaran province, Iran. It was built on a site formerly known as Tahan [1] and linked to the town of Sari, 17 miles (27 km) away, by a stone causeway. The shah used the city as his winter capital, and he died there in 1629.
The Palace of the Nation Museum with an area of 7,000 square meters is the largest palace in Sa'dabad complex. Until after the 1979 revolution and the transfer of the complex to the Cultural Heritage Organization, it was renamed "The Palace of the Nation Museum" (Mellat museum in Persian).
Faravahar, one of the primary symbols of Zoroastrianism, believed to be the depiction of a Fravashi or the Khvarenah. In Zoroastrianism, Ahura Mazda is the beginning and the end, the creator of everything that can and cannot be seen, the eternal and uncreated, the all-good and source of Asha. [15]
In Avestan language grammar, the fravashi are unmistakably female, while the faravahar symbol is unmistakably male. In the Denkard's myth of Zoroaster's conception (Dk., 7.2.15-47), his frawahr is sent down from heaven within a unique hom-plant to be united on earth with his mortal body (tanu) and appointed glory . [9]