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Artist Lucy Telles and large basket, in Yosemite National Park, 1933 A woman weaves a basket in Cameroon Woven bamboo basket for sale in K. R. Market, Bangalore, India. Basket weaving (also basketry or basket making) is the process of weaving or sewing pliable materials into three-dimensional artifacts, such as baskets, mats, mesh bags or even furniture.
The tradition and technique of sweetgrass basket weaving has been passed down from one generation to the next, originating with the West African slaves who were brought to coastal South Carolina in the early 1700s. [1] During her childhood, Jackson, along with her siblings and cousins would gather in her grandmother's yard to help weave baskets ...
Basketweave or Panama weave [1] is a simple type of textile weave. In basketweave, groups of warp and weft threads are interlaced so that they form a simple criss-cross pattern. Each group of weft threads crosses an equal number of warp threads by going over one group, then under the next, and so on.
It consists of multiple horizontal strands and vertical strands, resulting in a square pattern associated with woven baskets. It is used in the following textile arts: Basket weaving; Basketweave in weaving; Basketweave in knitting; Basketweave in knot making; Basketweave as a variant of tent stitch in needlepoint; Basketweave in crochet
Artist Lucy Telles and large basket, in Yosemite National Park, 1933 A woman weaves a basket in Cameroon Woven bamboo basket for sale in K. R. Market, Bangalore, India. Basket weaving (also basketry or basket making) is the process of weaving or sewing pliable materials into three-dimensional artifacts, such as baskets, mats, mesh bags or even ...
A woven basket made by Lucy Telles (National Museum of the American Indian) Telles, who learned basket weaving as a child, was well known for her fine basketry during her lifetime. Her innovations in basket weaving had a lasting influence on Yosemite weavers. While traditional Miwok baskets had one color, she used two colors per basket.
The curator there, Aleta Rinlero says of Antone's work: "She doesn't weave baskets, she weaves concepts." [4] Ancient Hohokam pottery designs also provide Antone with inspiration for basket designs, as have the flora and fauna of the Sonoran Desert. To achieve her complex designs, she carefully sketches them out before weaving. [5]
Dat So La Lee met her future art dealers Amy and Abram Cohn around 1895. She was most likely hired by the couple as a laundress. [1] [7] They recognized the quality of Dat So La Lee's weaving and, wanting to enter the curio trade in Native American art, decided to promote and sell her basketry.
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