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Robert Sheppard was born in 1955 and was educated at the University of East Anglia (BA; MA; PhD). In 1996 he moved from London to Liverpool to teach at Edge Hill University as Professor of Poetry and Poetics and Programme Leader of the MA in Creative Writing. [2] In 1996, Sheppard became Emeritus Professor at Edge Hill. [3]
Robert Guy Newton (1 June 1905 – 25 March 1956) was an English actor. Along with Errol Flynn, Newton was one of the more popular actors among the male juvenile audience of the 1940s and early 1950s, especially with British boys. [2] Known for his hard-living life, he was cited as a role model by the actor Oliver Reed and the Who's drummer ...
The Green Cockatoo (also known as Four Dark Hours and Race Gang) is a 1937 British drama film directed by William Cameron Menzies and starring John Mills, Rène Ray, and Robert Newton. [1] It was adapted by Ted Barkman from a story by Graham Greene and shot at Denham Studios. [2]
Knives, Forks and Spoons Press is an independent publishing house based in Newton-le-Willows, Merseyside, United Kingdom. It was established by Alec Newman in April 2010. The press publishes avant-garde and experimental poetry, full collections, pamphlets and anthologies. A typical year's output is 24 titles, by new and established poets and ...
British character actor Robert Newton, who was visiting America at the time of casting, was quickly hired for his first American film in the role of the blackmailing heavy. [65] [37] Newton, too, had worked with Hitchcock, in Jamaica Inn, and had received praise for his work with Laurence Olivier in Henry V and David Lean's Oliver Twist.
Long John Silver, also known as Long John Silver's Return to Treasure Island, is a 1954 American-Australian adventure film about the eponymous pirate Long John Silver, with Robert Newton repeating his starring role from Walt Disney's 1950 feature Treasure Island.
As spies and ex-lovers, Thandiwe Newton and Chris Pine craft a reserved chemistry in Janus Metz's romantic espionage thriller 'All the Old Knives'
Robert Newton gives a performance of almost saintly sincerity as the headmaster intent on ridding his school of class prejudice and bullying. John Howard Davies does a nice line in smiling through the tears as Tom Brown, but the film belongs squarely to John Forrest, who, as Flashman, is the epitome of vicious snobbery." [8]
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