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Feather and Bone: The Crow Chronicles is a trilogy of young adult fantasy novels written by Canadian playwright and screenwriter Clem Martini. All of the main characters are crows , which are not so much anthropomorphic as simply animals of human intelligence who have their own culture, religion, and folktales based on Native American mythology.
The greater coucal or crow pheasant (Centropus sinensis), is a large non-parasitic member of the cuckoo order of birds, the Cuculiformes. A widespread resident in the Indian Subcontinent and Southeast Asia, it is divided into several subspecies, some being treated as full species. They are large, crow-like with a long tail and coppery brown ...
The book is narrated from rapidly alternating perspectives: the Dad, the Boys, and Crow—a human-sized bird that can speak, "equal parts babysitter, philosopher and therapist" to the family. [5] [6] The title refers to a poem by Emily Dickinson, ""Hope" is the thing with feathers". [7] Crow is the Crow from Ted Hughes' 1970 poetry book. [8]
All should beware of actors and newcomers, especially "an upstart Crow, beautified with our feathers, that with his Tygers hart wrapt in a Players hyde, supposes he is as well able to bombast out a blanke verse as the best of you: and being an absolute Iohannes fac totum, is in his owne conceit the onely Shake-scene in a countrey."
In Greek and Roman mythology, Corone (Ancient Greek: Κορώνη, romanized: Korṓnē, lit. 'crow' [1] pronounced [korɔ̌ːnɛː]) is a young woman who attracted the attention of Poseidon, the god of the sea, and was saved by Athena, the goddess of wisdom.
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This glossy all-black crow has a heavy black bill but without an arching culmen (upper edge of the mandible) and has a fine tip. The feathers have a purple gloss throughout. The tail of the Indian jungle crow is rounded and the legs and feet are stout. The base of the nape feathers is dusky. [1]
Grief Is the Thing with Feathers is a hybrid of prose and poetic styles about a crow who visits a grieving family of a Ted Hughes scholar and his two young boys. [17] It draws heavily upon Hughes's Crow: From the Life and Songs of Crow and its title is derived from Emily Dickinson's "Hope is the thing with feathers".