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Ambient language plays an increasingly significant role as children begin to solidify early syllable structure. Syllable combinations that are infrequent in the Italian lexicon, such as velar-labial sequences (e.g. capra 'goat' or gamba 'leg') are infrequently produced correctly by children, and are often subject to consonant harmony. [52]
This is the pronunciation key for IPA transcriptions of Italian on Wikipedia. It provides a set of symbols to represent the pronunciation of Italian in Wikipedia articles, and example words that illustrate the sounds that correspond to them.
Standard Italian phonemes, in bold, are followed by their most common phonetic values and their respective occurrence among dialects. Unless otherwise noted, unmentioned dialectal realizations are the same as for Standard Italian (e.g. Tuscan andando is [anˈdando], not [anˈnanno], and is therefore not listed below). Examples in the chart are ...
The base alphabet consists of 21 letters: five vowels (A, E, I, O, U) and 16 consonants. The letters J, K, W, X and Y are not part of the proper alphabet, but appear in words of ancient Greek origin (e.g. Xilofono), loanwords (e.g. "weekend"), [2] foreign names (e.g. John), scientific terms (e.g. km) and in a handful of native words—such as the names Kalsa, Jesolo, Bettino Craxi, and Cybo ...
Uralic language: 39: 25 14 The vowel phonemes can be grouped as pairs of short and long vowels such as o and ó. Most of the pairs have an almost similar pronunciation and vary significantly only in their duration. However, pairs a/á and e/é differ both in closedness and length. Italian: Indo-European: 30 + (1) 23 + (1) 7 [23] Japanese ...
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Stress in these languages is usually truly lexical and must be memorized as part of the pronunciation of an individual word. In some languages, such as Spanish, Portuguese, Catalan, Lakota and, to some extent, Italian, stress is even represented in writing using diacritical marks, for example in the Spanish words célebre and celebré ...
Phonotactics (from Ancient Greek phōnḗ 'voice, sound' and taktikós 'having to do with arranging') [1] is a branch of phonology that deals with restrictions in a language on the permissible combinations of phonemes.
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