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Folding a Sonobe module (1–10) and assembly into a pyramid (11–12); * denote tabs and # denote pockets [10] Each individual unit is folded from a square sheet of paper, of which only one face is visible in the finished module; many ornamented variants of the plain Sonobe unit that expose both sides of the paper have been designed.
Modular origami or unit origami is a multi-stage paper folding technique in which several, or sometimes many, sheets of paper are first folded into individual modules or units and then assembled into an integrated flat shape or three-dimensional structure, usually by inserting flaps into pockets created by the folding process. [3]
The origami crane diagram, using the Yoshizawa–Randlett system. The Yoshizawa–Randlett system is a diagramming system used to describe the folds of origami models. Many origami books begin with a description of basic origami techniques which are used to construct the models.
This may be considered a broad category that contains origami and card modeling. Origami is the process of making a paper model by folding a single piece of paper without using glue or cutting while the variation kirigami does. Card modeling is making scale models from sheets of cardstock on which the parts were printed, usually in full color ...
The fold-and-cut theorem states that any shape with straight sides can be cut from a single (idealized) sheet of paper by folding it flat and making a single straight complete cut. [1] Such shapes include polygons, which may be concave, shapes with holes, and collections of such shapes (i.e. the regions need not be connected).
This type of modular folding is often done with Chinese paper money. Triangles are folded from multiple pieces of 1:2 aspect ratio paper, and connected by inserting a flap of one triangle into a pocket on the next. Popular subjects include pineapples, swans, and ships. This form of modular origami is commonly referred to as "3D origami".
Origamic architecture is a form of kirigami that involves the three-dimensional reproduction of architecture and monuments, on various scales, using cut-out and folded paper, usually thin paperboard. Visually, these creations are comparable to intricate 'pop-ups', indeed, some works are deliberately engineered to possess 'pop-up'-like properties.
Wet-folding allows the paper to be manipulated more easily, resulting in finished origami models that have a rounder and more sculpted look. Wet-folding is most often used with thicker paper; normal origami paper is very thin and thus prone to tearing when using the wet-folding technique. [2] Yoshizawa believed the process was the most ...
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