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The role of an assistant to the film director is often confused with assistant director, but the responsibilities are entirely different. The assistant to the film director manages all of the directors in development, pre-production, while on set, through post-production, and is often involved in both personnel management as well as creative ...
A film Production Office is the administrative office responsible for managing a film production.The office is responsible to the Film Producer and includes the Production Manager, Assistant Director and one or more Production Assistants.
A production assistant, also known as a PA, is a member of the film crew and is a job title used in filmmaking and television for a person responsible for various aspects of a production. The job of a PA can vary greatly depending on the budget and specific requirements of a production as well as whether the production is unionized .
The film's director will select important department heads (keys) or support personnel related to their work, including the casting director, cinematographer, costume designer, production designer, and film editor. For below-the-line matters, the UPM often negotiates deals (for location, equipment, etc.) and hires the remaining crew, typically ...
The director typically helps hire the cast (and possibly crew). The Director helps decide on locations, and creates a shooting plan. During shooting, the director supervises the overall project, manages shots, and keeps the assignment on budget and schedule. Though directors hold much power, they are second in command after the producer.
Film shooting on location in Downtown Los Angeles. The location manager [1] is a member of the film crew responsible for finding and securing locations to be used, obtaining all fire, police and other governmental permits, and coordinating the logistics for the production to complete its work. They are also the public face of the production ...
Key grip working on set. A key grip is a senior role on movie sets, [1] involved with a wide variety of behind-the-scenes tasks. The key grip supervises grip crews who support camera and lighting technicians; assesses what equipment is necessary for each shooting location; coordinates the transportation of this equipment and its set up; and arranges the general movement and positioning of the ...
Best boys are responsible for the day-to-day operation of the lighting or grip department. Their many responsibilities include the hiring, scheduling, and management of crew; the renting, ordering, inventory, and returning of equipment; workplace safety and maintaining discipline within their department; completing timecards and other paperwork; stocking of expendables; loading and unloading ...
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