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Muara Hati (Estuary of the Heart) is a song by Malaysian artists Siti Nurhaliza and Hafiz Suip, where it was composed entirely as a theme song for an 80-episode Malaysian drama, Adam & Hawa. [1] The song was composed entirely by Manusia Putih, or more commonly known as Adi Sixth Sense a year earlier in 2011.
IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...
"Gugur Bunga di Taman Bakti" (The Fallen Flower in the Garden of Devotion), better known as "Gugur Bunga", is an Indonesian patriotic song written by Ismail Marzuki in 1945. Written to honor the Indonesian soldiers killed during the Indonesian National Revolution , it tells of the death of a soldier, and the singer's feelings.
Air pollution has dropped significantly in the U.S. since the 1970s. However, wildfires have emerged as a growing threat – making it harder to clean up the air and protect people’s health. As ...
U.S. Secretary of Defense Lloyd Austin and Ukrainian President Volodymyr Zelenskyy are seen at the 25th Ukraine Defense Contact Group meeting at Ramstein Air Base in Germany, Jan. 9, 2025.
Recitative chord progressions: The chord progressions in recitative avoid resolutions and rely heavily on dominant sevenths and diminished chords to postpone the resolution. In the extreme, the instrument(s) start the dialog with a diminished chord, moving from non-resolution to non-resolution, building up to a temporary or final cadence, as ...
Kyle Van Noy knew exactly what a sack was worth on Saturday. By taking down Cleveland Browns quarterback Dorian Thompson-Robinson, the Baltimore Ravens linebacker upped his sack total to 12.5 on ...
"The Air That I Breathe" is a ballad written by the British-Gibraltarian singer-songwriter Albert Hammond and the English songwriter Mike Hazlewood. It was initially recorded by Hammond on his debut album, It Never Rains in Southern California (1972). [ 3 ]