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"Reckless Love" is a song written by Caleb Culver, Cory Asbury and Ran Jackson, [10] which became popular when a live video of Bethel Music artist Steffany Gretzinger leading the song in a worship service at Bethel Church in Redding, California was published on YouTube in early 2017, accruing over 14 million views as of November 2018. [11]
Cory Asbury released "Reckless Love" via Bethel Music on October 27, 2017 as the lead single from the album. [19] [20] A version of "Reckless Love" adapted for radio airplay was released in digital format on January 5, 2018. [21] [22] Three weeks prior to its impact date, the song was already spinning on radio stations across the United States ...
Ed Cash, spoke about the process of recording the album and the main aim of the record, saying: . The recordings on this album use cutting edge techniques scientifically proven to help heal parts of the brain damaged by all kinds of emotional trauma-like anxiety, depression, abuse, divorce and grief-by engaging both sides of the brain through the gentle panning of peaceful soundscapes known as ...
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Turborider is the fifth album by Finnish rock band Reckless Love, released on 25 March 2022 through AFM Records and produced by Joonas Parkkonen. [6] It was originally scheduled for a 25 February release, but was postponed due to limitations imposed by the COVID-19 pandemic that prevented them from distributing the physical copies of the album.
I Still Love You,' the sequel to the hit Netflix YA movie The To All the Boys I've Loved Before, [18] In December 2020, Goodloe was hired to write the music biopic Reckless Love for Paramount Pictures. The script is based on the hit song of the same name by Cory Asbury. [19]
This vibrant salmon and chickpea salad fights inflammation. Packed with omega-3s from wild salmon, this recipe supports heart health, keeps your joints happy and helps your body thrive.
The song was issued on Jackson's 1966 studio album, Reckless Love Affair. [2] Music journalist, Robert K. Oermann and anthropologist, Mary A. Bufwack called this song, among Jackson's other late 1960s recordings, "self-assertive about women's issues". [3]