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In the song, she expresses the depth of her longing for California despite considering herself a member of the counterculture. [2] Like "Carey", "California" takes the form of a travelogue, and uses a stream of consciousness narrative technique. [3] [4] Pitchfork critic Jessica Hopper describes both songs as "how-Joni-got-her-groove-back ...
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In 1984, Julio Iglesias re-worked the song as "Moonlight Lady" for his concept album 1100 Bel Air Place, with the original song on which it is based used as an uncredited reprise at the end of the track. In 1989, Hammond re-recorded the song for his Best of Me greatest hits compilation. [3]
The Story of Redd Kross, the Most Underrated Band of Their Generation, Is Told in Fascinating Detail in the New Documentary ‘Born Innocent’ Jem Aswad May 21, 2024 at 10:55 AM
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This music was distinctively Californian, different from both Mexican and Spanish music of the time (though many elements are found throughout these traditions). With the arrival of many Americans from the East Coast, as well as immigrants from as far away as China, however, Spanish folk music began to dwindle in popularity in California.
"I Dig Rock and Roll Music" by Peter, Paul and Mary "I Don't Know Nothing About Hollywood" by The Brakes "I Got it Goin' On" by Tone-Loc "I Gotta Go to L.A." by The Cribs "I Hate California" by Jonathan Coulton "I Have Peace" by Strike (band) "I Left My Wallet in El Segundo" by A Tribe Called Quest "I Like L.A." by The Intelligence
The song's music video follows this plot. "Hazard" was released as the second single from Marx's third studio album, Rush Street (1991), on January 28, 1992, in the United States. In April 1992, "Hazard" peaked at No. 9 on the US Billboard Hot 100 and shortly thereafter topped the Billboard Adult Contemporary chart, becoming Marx's third number ...