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On guitar, sweep-picking is a technique used for rapid arpeggiation, which is most often found in rock music and heavy metal music. Along with scales, arpeggios are a form of basic technical exercise that students use to develop intonation and technique. They can also be used in call and response ear training dictations, either alone or in ...
Fundamental structure: fundamental line on top stave, bass arpeggiation below. Play ⓘ One possible bass elaboration: I–IV–V–I Play ⓘ as elaboration of I–V–I Play ⓘ. [1] In Schenkerian analysis, the bass arpeggiation (German: Bassbrechung) is the bass pattern forming the deep background of tonal musical works.
The fundamental line (German: Urlinie) is the melodic aspect of the Fundamental structure , "a stepwise descent from one of the triad notes to the tonic" with the bass arpeggiation being the harmonic aspect. [3] The fundamental line fills in the spaces created by the descending arpeggiation of the tonic triad.
Bass arpeggiation (German: Bassbrechung) Bass pattern I-V-I forming the harmonic content of the background of tonal musical pieces; the concept belongs to the final version of Schenkerian theory, from 1930 onwards. See also Schenkerian analysis: The arpeggiation of the bass. Bassbrechung. See Bass arpeggiation. Brechung. See Arpeggiation.
The example shown here may at first be considered a mere elaboration of an F major chord, an arpeggiation in three voices, with passing notes (shown here in black notes without stem) in the two higher voices: it is an exemplification of the tonal space of F major.
Free Composition, Example 4. Fundamental line in relation to the tonic triad. The possible primary tones are shown as whole notes: , or . The minimal fundamental structure. Primary tone: . Play ⓘ. In Schenkerian analysis, the primary tone or head tone (German: Kopfton) is the starting tone of the fundamental line. The fundamental line itself ...
John Butt has argued that figured bass is an instance of "purposely incomplete" notation conferring a positive advantage. [18] Accompaniments improvised from a figured bass line can be made to suit varying circumstances e.g. tempi, instrumentation, and even the hall acoustics.
Well-known examples of Alberti bass include the beginning of Mozart's Piano Sonata, K 545, and the third movement of Beethoven's Moonlight Sonata. [ a ] A famous example from 20th-century American popular music is the bass guitar part of the 1962 surf rock standard " Pipeline ", by The Chantays .