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On guitar, sweep-picking is a technique used for rapid arpeggiation, which is most often found in rock music and heavy metal music. Along with scales, arpeggios are a form of basic technical exercise that students use to develop intonation and technique. They can also be used in call and response ear training dictations, either alone or in ...
First-order arpeggiation. Arpeggiated motion leading to the primary tone of the fundamental line. The term has been proposed by Forte & Gilbert. [7] See also Schenkerian analysis: Initial ascent, initial arpeggiation. Foreground (German: Vordergrund) See Structural level. Free Composition (German: freier Satz)
Fundamental structure: fundamental line on top stave, bass arpeggiation below. Play ⓘ One possible bass elaboration: I–IV–V–I Play ⓘ as elaboration of I–V–I Play ⓘ. [1] In Schenkerian analysis, the bass arpeggiation (German: Bassbrechung) is the bass pattern forming the deep background of tonal musical works.
A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
A musical piece containing works by different composers Ripieno concerto: padding concert: A form of Baroque concerto with no solo parts Serenata: Serenade: A song or composition in someone's honour. Originally, a musical greeting performed for a lover Soggetto cavato: carved subject: A musical cryptogram, using coded syllables as a basis for ...
The fundamental line (German: Urlinie) is the melodic aspect of the Fundamental structure , "a stepwise descent from one of the triad notes to the tonic" with the bass arpeggiation being the harmonic aspect. [3] The fundamental line fills in the spaces created by the descending arpeggiation of the tonic triad.
This glossary includes terms for musical instruments, playing or singing techniques, amplifiers, effects units, sound reinforcement equipment, and recording gear and techniques which are widely used in jazz and popular music. Most of the terms are in English, but in some cases, terms from other languages are encountered (e.g. to do an "encore ...
Style brisé (French: "broken style") is a general term for irregular arpeggiated texture in instrumental music of the Baroque period. It is commonly used in discussion of music for lute, keyboard instruments, or the viol. The original French term, in use around 1700, is style luthé ("lute style").