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Morrison wanted the entire piece to be recorded and released as one full side of the band's third studio album, Waiting for the Sun, in 1968. However, record producer Paul A. Rothchild and the members of the band thought that the extended poetic sections and overall length of the piece made a complete recording impossible. [8]
James Douglas Morrison (December 8, 1943 – July 3, 1971) was an American singer, songwriter and poet who was the lead vocalist and primary lyricist of the rock band the Doors. Due to his energetic persona, poetic lyrics, distinctive voice, erratic and unpredictable performances, along with the dramatic circumstances surrounding his life and ...
"Not to Touch the Earth" is a 1968 song by the Doors from their third album Waiting for the Sun. It is part of an extended performance piece called "Celebration of the Lizard" that the band played live multiple times.
All tracks are written by the Doors (John Densmore, Robby Krieger, Ray Manzarek, Jim Morrison), except where noted.Details are taken from the 2003 U.S. Elektra/Rhino CD with discographical annotation by Gary Peterson, [4] except running times, which are taken from the AllMusic review. [1]
Moore was a founding member of King Gizzard and the Lizard Wizard going to school with fellow band members in Geelong and Deniliquin. [1] The band was initially a group of students of a Royal Melbourne Institute of Technology Bachelor of Contemporary Music Performance course; Moore, Stu Mackenzie, Joey Walker, Lucas Harwood, and Michael Cavanagh. [2]
The relationship Courson and Morrison had with actor Tom Baker was described in a memoir, Blue Centre Light. An extract was published in High Times in June 1981. The stormy friendship between Courson, Morrison and actor Tom Baker is depicted in the stage play The Lizard King [19], written by Jay Jeff Jones, which was produced in Los Angeles in ...
Waiting for the Sun is the third studio album by the American rock band the Doors, released by Elektra Records on July 3, 1968. The album's 11 tracks were recorded between late 1967 and May 1968 mostly at TTG Studios in Los Angeles.
According to the biography No One Here Gets Out Alive, Morrison hated the album cover for Absolutely Live.He had changed his appearance dramatically since the band's early days, growing a beard and discarding his onstage leather attire in an attempt to overcome his "rock god" image, but was dismayed to find that his record label opted for an earlier photograph of him for the cover.