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Gastank is an English television show that aired from 1982–1983 in the United Kingdom on Channel 4.Hosted by former Yes keyboardist Rick Wakeman, [1] along with keyboardist Tony Ashton, the show featured a mix of interviews with 1970s musicians and impromptu performances where the guest artist would join Wakeman and his house band in playing re-arranged versions of their classic songs or ...
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The series was created by the newly-formed Deep Voodoo studio, made up of over twenty computer graphics artists. [3] The team was originally assembled for a film project that was interrupted due to the COVID-19 pandemic, who made the video based on a series of impressions that Serafinowicz developed of a "sassy" Donald Trump. [4]
Bits is a British entertainment television series that aired on Channel 4 from 4 June 1999 to 6 April 2001, with both late night and edited morning versions of the show, the show reviewed computer games, testing the (then) latest games releases across multiple platforms.
In several episodes, whole gun battles were completely removed, with up to four minutes of extra footage cut out on top of the material already removed by Sky over a decade before. Movies4Men later began broadcasting the series in April 2012. Like the original broadcasts, the episodes were heavy edited to remove any strong violence and bloodshed.
The episode was watched by 1.99 million viewers, earning a 0.8 in the 18-49 rating demographics on the Nielson ratings scale. This means that 0.8 percent of all households with televisions watched the episode. [5] This was a slight increase from the previous episode, which was watched by 1.93 million viewers with a 0.8 in the 18-49 demographics ...
"Hero" is the fourth episode of the first season of the AMC television series Better Call Saul, a spin-off series of Breaking Bad. The episode aired on February 23, 2015, on AMC in the United States. Outside of the United States, the episode premiered on the streaming service Netflix in several countries.
Retrospectively, Emily St. James of The A.V. Club felt that although many elements of "Meadowlands" worked, the episode is "a bit of a step down from the previous three." She criticized the subplot involving AJ as "pretty pointless, playing out as a sort of miniature version of the Tony and Junior conflict and ending much the same way", but ...
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