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"It's a Mistake" is an anti-war song. [1] The song's lyrics deal with the mindset of military men across the world in the 1980s, wondering if and when the countries of NATO and the communist states of the Warsaw Pact will end the Cold War standoff with conventional battle or a nuclear exchange. Hay sings in the persona of a mid-level officer ...
The nucleus of Men at Work formed in Melbourne around June 1979 with Colin Hay on lead vocals and guitar, Ron Strykert on bass guitar, and Jerry Speiser on drums. They were soon joined by Greg Ham on flute, sax and keyboards, and then John Rees on bass guitar, with Strykert switching to lead guitar. [7]
Album details Chart peak positions Certifications; AUS [4] NZ [5] '81–'85: Released: November 1985; Label: Columbia (SBP 82113) Formats: CD, cassette, LP; Note: re-released in 1992 as The Works; 42 — ARIA: Platinum [17] Contraband: The Best of Men at Work: Released: 1995; Label: Columbia, Legacy (484011 2) Formats: CD, cassette — 36 The ...
In the history of album cover art, only two parties have become arguably almost as famous as some of the bands they shot or designed for: Hipgnosis, in the 1970s, and Anton Corbijn, from the mid ...
For the category of fair use images of album covers by Blake, see Category:Album covers by Peter Blake (artist) Pages in category "Albums with cover art by Peter Blake (artist)" The following 10 pages are in this category, out of 10 total.
Contraband: The Best of Men at Work is the third compilation album by Australian pop rock band Men at Work. It was released in 1996. The album includes 16 tracks from the band's three studio albums. The album reached number 36 on the Official New Zealand Music Chart.
The tenth volume was released on both CD [R2 71703] and audio cassette on October 18, 1994. It contains the rarely heard The Little Girls' "Earthquake Song." The CD included Rank and File's "Amanda Ruth" as a bonus track. Booklet includes liner notes by Roy Trakin (liner notes for each song are in order by the track listing, unlike the previous ...
The intense debate on the media and social platforms, even internationally, proves the interest, but also the irritation contemporary art can cause." type="quote" author="Museion Bolzano ...