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A fibula (/ˈfɪbjʊlə/, pl.: fibulae /ˈfɪbjʊli/) is a brooch or pin for fastening garments, typically at the right shoulder. [3] The fibula developed in a variety of shapes, but all were based on the safety-pin principle.
Wing Brooch, 2nd century AD, Metropolitan Museum of Art. A brooch (/ ˈ b r oʊ tʃ /, also US: / ˈ b r uː tʃ / [1]) is a decorative jewellery item designed to be attached to garments, often to fasten them together. It is usually made of metal, often silver or gold or some other material.
Many disc fibulae have gold ornamentation inlaid with gemstones, are enamelled or damascened, or are overlaid with gold or silver. The well known Pliezhausen brooch was once the cover of a disc fibula. An example from the Roman era is the Tangendorf disc brooch. The early mediaeval Maschen disc brooch portrays a figure with a saintly aureole.
Large Brooch with Spirals, European Bronze Age, 1400–1100 B.C. Illyrian fibulae or brooches were widely used by Illyrians and were very common in Illyria. Some types of fibulae are one of the few objects that all of the Illyrians used and some are even used to declare the distribution of Illyrian people. Illyrians loved ornaments, and on ...
The Anglo-Saxons who founded the Anglo-Saxon kingdoms of England preferred round disk brooches to either fibulae or penannular forms, also using gold and garnet cloisonné along with other styles. The finest and most famous collection of barbarian jewelry is the set for the adornment of (probably) an Anglo-Saxon king of about 620 recovered at ...
A Shilha musician wearing two large triangular brooches in the Souss region of Morocco at the beginning of the 20th century.. An Amazigh fibula (Tarifit: ⵜⵉⵙⵖⵏⵙⵜ, romanized: Tisɣnst, Tachelhit: ⵜⴰⵥⵕⵥⵉⵜ, romanized: Taẓṛẓit, Moroccan Arabic: تزرزيت, romanized: taẓṛẓit) is a traditional fibula or brooch with practical and symbolic importance in ...
[4] [9] Small buttons, pins, and brooches were used. [4] [9] Porpe (πόρπη), was the pin of a buckle or clasp and also the clasp itself. [68] Large straight pins, called peronai, were worn at the shoulders, facing down, to hold the chiton or peplos in place. [3] Fibulae were also used to pin the chiton, peplos or chlamys together.
La Tène metalwork in bronze, iron and gold, developing technologically out of Hallstatt culture, is stylistically characterized by inscribed and inlaid intricate spirals and interlace, on fine bronze vessels, helmets and shields, horse trappings, and elite jewelry, especially the neck rings called torcs and elaborate clasps called fibulae. It ...
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