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Bewegungsstudie's languid nude, elaborately robed women and sensuality, [17] in the context of its rigorous and artistic composition, evokes the sexual morbidity of Viennese artists like Gustav Klimt and Alphonse Mucha, as well as the Swiss symbolist painter Ferdinand Hodler and has made it notable [18] It has become Koppitz's signature image ...
Lucien Lévy-Dhurmer was an academic painter who synthesized Impressionist technique with Symbolist themes, especially in his fantastic scenes; he was also a portraitist and landscape painter. In his work stands out the chromatic harmony and the idealization of the represented subjects, in which the influence of the music of Beethoven , Fauré ...
For its evanescent rarefaction the love scene reveals its symbolist mould. The work is part of Klimt's series of Allegories and Emblems, whose intent was to translate life's most significant moments, and its psychological nuances, into forms of metaphorical intensity. 05: 1895 – Music I (oil on canvas, 37 cm × 44.5 cm)
Gustav Klimt (14 July 1862 – 6 February 1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d'art. Klimt's primary subject was the female body, [1] and his works are marked by a frank eroticism. [2]
Giovanni Segantini (15 January 1858 – 28 September 1899) was an Italian painter known for his large pastoral landscapes of the Alps. He was one of the most famous artists in Europe in the late 19th century, [1] and his paintings were collected by major museums. In later life, he combined a Divisionist painting style with Symbolist images of ...
In the period 1902–1909, Spilliaert concentrated on creating complex, profound self-portraits of an introspective nature. His 1903 Self-Portrait with Masks (Musée d'Orsay) is a dramatic self-presentation with ghostly apparitions in the background and a wry face in three-quarter pose. This image may be regarded as a prototype for the three ...
It was a common practice at the time for poets to paraphrase in verse paintings they admired, and the paintings of Gustave Moreau were among the most lauded of the symbolist poets. Théodore de Banville, José Maria de Heredia, Claudius Popelin, Jean Lorrain, Henri Cazalis, and others wrote of Moreau's work in poetry. [3]: 234–236 p.
Karl Wilhelm Diefenbach (21 February 1851 – 15 December 1913) was a German painter and social reformer. [1]Diefenbach is regarded as the "forefather of alternative movements" and one of the most important champions of the Lebensreform (life-reform), the Freikörperkultur (), and the peace movement.