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The development of hair-styling products, particularly setting sprays, hair-oil and hair-cream, influenced the way hair was styled and the way people around the world wore their hair day to day. Women's hairstyles of the 1950s were in general less ornate and more informal than those of the 1940s, with a "natural" look being favoured, even if it ...
Typically, the hair on the top of the head is long and is often parted on either the side or center, while the back and sides are buzzed very shorter or shaved. [1] It is closely related to the curtained hair of the mid-to-late 1990s, although those with undercuts during the 2010s tended to slick back and top gelled up the bangs away from the face.
Meg Ryan has tried on a lot of hair styles through the years, but this wavy, layered bob has become her signature look. Use a moisture-sealing frizzy hair product to help achieve this style. Cindy ...
Very short cropped hairstyles were fashionable in the early 1950s. By mid-decade hats were worn less frequently, especially as fuller hairstyles like the short, curly poodle cut and later bouffant and beehive became fashionable. [30] [40] "Beat" girls wore their hair long and straight, and teenagers adopted the ponytail, short or long.
In Western countries in the 1960s, both young men and young women wore their hair long and natural, and since then it has become more common for men to grow their hair. [39] During most periods in human history when men and women wore similar hairstyles, as in the 1920s and 1960s, it has generated significant social concern and approbation. [40]
Audrey Hepburn with style-setting "gamine" haircut in Roman Holiday (1953) Marilyn Monroe, 1954. The "Audrey Hepburn look”, associated since the 1950s with the Anglo-Belgian film actress, owed itself principally to the intrinsic chic of Hepburn herself (a factor identified by Edith Head [3]) and the designs of French couturier Hubert de Givenchy.
Blonde-haired woman with a pixie cut. Pixie cuts were popularized first in the 1950s, when Audrey Hepburn wore the style in her debut film Roman Holiday (1953). Jean Seberg also sported a pixie cut for Otto Preminger's Bonjour Tristesse (1958) and Jean-Luc Godard's Breathless (1960). [1]
Katherine, 10, and Sheila, 12, lived with their parents and two brothers in Kensington, a tightly-knit, upper-middle-class town in Maryland. After breakfast on March 25, 1975, the girls left for ...