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The first scroll, which is considered the most famous, depicts various animals (frogs, rabbits and monkeys) frolicking as if they were human. [6] [8] [18] There is no writing on any of the scrolls; they consist of pictures only. [19] The first scroll is also the largest, with a length of 11 meters (36 ft) and 30 cm (1 ft) wide. [8]
Continuous scroll decoration has a very long history, and such patterns were an essential element of classical and medieval decoration. The use of scrolls in ornament goes back to at least the Bronze Age; geometric scroll ornament has been found in the Palace of Knossos at Minoan Crete dating to approximately 1800 BC, [8] perhaps drawing from even earlier Egyptian styles; there were also early ...
A handscroll has a backing of protective and decorative silk (包首) usually bearing a small title label (題簽) on it. [6]In Chinese art, the handscroll usually consists of a frontispiece (引首) at the beginning (right side), the artwork (畫心) itself in the middle, and a colophon section (拖尾) at the end for various inscriptions.
Hanging scrolls are different from the handscrolls. A handscroll is a long narrow scroll for displaying a series of scenes in Chinese painting. [6] [10] It intended to be viewed section for section, flat on a table, during its unrolling. [10] In contrast, a hanging scroll is appreciated in its entirety. [5] [7]
The term emakimono or e-makimono, often abbreviated as emaki, is made up of the kanji e (絵, "painting"), maki (巻, "scroll" or "book") and mono (物, "thing"). [1] The term refers to long scrolls of painted paper or silk, which range in length from under a metre to several metres long; some are reported as measuring up to 12 metres (40 ft) in length. [2]
Apparently starting in embroidery, it then appears in garden design before being used in Northern Mannerist painted decorative schemes "with a central medallion combined with acanthus and other forms" by Simon Vouet and then Charles Lebrun who used "scrolls of flat bandwork joined by horizontal bars and contrasting with ancanthus scrolls and ...
As with calligraphy, the most popular materials on which paintings are made are paper and silk. The finished work can be mounted on scrolls, such as hanging scrolls or handscrolls. Traditional painting can also be done on album sheets, walls, lacquerware, folding screens, and other media. The two main techniques in Chinese painting are:
Strapwork became popular in England in the late 16th and 17th centuries as a form of plasterwork decorative moulding used particularly on ceilings, but also sculpted in stone for example around entrance doors, as at Misarden Park (1620), Gloucestershire, or on monumental sculpture, as on the frieze of the monument to Sir John Newton (d.1568 ...