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John Donne (/ d ĘŚ n / DUN; 1571 or 1572 [a] – 31 March 1631) was an English poet, scholar, soldier and secretary born into a recusant family, who later became a cleric in the Church of England. [2]
John Donne, aged about 42. Donne was born in 1572 to a wealthy ironmonger and a warden of the Worshipful Company of Ironmongers, and his wife Elizabeth. [2] After his father's death when he was four, Donne was trained as a gentleman scholar; his family used the money his father had made to hire tutors who taught him grammar, rhetoric, mathematics, history and foreign languages.
[5]: pp.lx-lxiii John T. Shawcross has remarked the importance of establishing the order(s), saying that "[a]nyone who has paid attention to Donne's Holy Sonnets is aware that the order in which the sonnets appear casts 'meanings' upon them." Quoted from "A Text of John Donne's Poems: Unsatisfactory Compromise," John Donne Journal 2 (1983), 11.
John Donne, George Herbert, Andrew Marvell: Cavalier Poets: 17th-century English Baroque royalist poets, writing primarily about courtly love, called Sons of Ben (after Ben Jonson) [20] Richard Lovelace, William Davenant: Euphuism: A peculiar mannered style of Baroque English prose, richly decorated with rhetorical questions [21] Thomas Lodge ...
In The Well Wrought Urn, Brooks used the poem "The Canonization" by John Donne as an example to relate the importance of a work’s ability to flow and maintain a theme, so that the work gains momentum from beginning to end. Organic unity is the common thread that keeps a theme from becoming broken and disjointed as a work moves forward.
Eliot uses John Donne's poetry as the most prominent example of united sensibility and thought. He writes, "[a] thought to Donne was an experience; it modified his sensibility." Eliot's apparent appreciation of Donne's ability to unify intellectual thought and the sensation of feeling demonstrates that he believes dissociation of sensibility to ...
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And soon after, in the following century, John Donne adapted the emerging Baroque style to the new subject matter of his series of Holy Sonnets. John Milton's sonnets constitute a special case and demonstrate another stylistic transition. Two youthful examples in English and five in Italian are Petrarchan in spirit.