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Okwui Enwezor // ⓘ (23 October 1963 – 15 March 2019) [1] was a Nigerian curator, art critic, writer, poet, and educator, specializing in art history. He lived in New York City [ 2 ] and Munich. In 2014, he was ranked 24 in the ArtReview list of the 100 most powerful people of the art world.
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Okwui Enwezor served as the 56th Biennale's curator, its first from Africa. [1] His theme was "All The World's Futures". Enwezor created the Arena, an interdisciplinary space for live performance in Giardini's Central Pavilion. The Arena's main performance was a live reading of Das Kapital .
He was one of the curators of [5] (Kassel, 2002), as part of the group directed by Okwui Enwezor. He was also one of the curators of the first and second [ 6 ] (1995 and 1997. The large list of exhibitions he has curated include [ 7 ] In/Sight, African Photographers 1940 to the Present (Guggenheim Museum, New York, 1997, and Versiones del Sur ...
A Georges Adéagbo, Ravi Agarwal, Eija-Liisa Ahtila, Chantal Akerman, Gaston André Ancelovici (Colectivo Cine-Ojo), Fareed Armaly, Rashid Masharawi, Michael Ashkin, Asymptote Architecture, Kutlug Ataman, The Atlas Group, Walid Raad
The poetry collection consists of three chapbooks in a slipcase, where each chapbook's cover shows an image from a performance by Harkin titled Archive-Fever-Paradox. [1] The book is "a collage of archival extracts together with the writer's poetry, artwork, weaving and installation photo-stills", a form of docu-poetry.
The NASA Images archive was created through a Space Act Agreement between the Internet Archive and NASA to bring public access to NASA's image, video, and audio collections in a single, searchable resource. The Internet Archive NASA Images team worked closely with all of the NASA centers to keep adding to the ever-growing collection. [130]
Archive Fever: A Freudian Impression (French: Mal d'Archive: Une Impression Freudienne) is a book by the French philosopher Jacques Derrida. It was first published in 1995 by Éditions Galilée , based on a lecture Derrida gave at a conference, Memory: The Question of the Archives, organised by the Freud Museum in 1994.