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Martin was (unusually) commissioned to paint the subject by Richard Greville, 1st Duke of Buckingham and Chandos, who paid 800 guineas.The painting is a monumental canvas 5 feet 3 inches (1.6 m) by 8 feet 2 inches (2.5 m) which depicts a view from Stabiae across the Bay of Naples towards the doomed cities of Pompeii and Herculaneum during the eruption of Vesuvius in AD 79.
The Last Day of Pompeii. Painting by Karl Brullov, 1830–1833. A major earthquake [9] caused widespread destruction around the Bay of Naples, particularly to Pompeii, on February 5, 62 AD. [10] Some of the damage had still not been repaired when the volcano erupted in 79 AD. [11]
Punishment of Ixion, House of the Vettii, Pompeii Painting in ancient Rome is a rather poorly understood aspect of Roman art, as there are few survivals, which are mostly wall-paintings from Pompeii, Herculaneum and other sites buried by the eruption of Mount Vesuvius in AD 79, where many decorative wall paintings were preserved under the ashes and hardened lava.
Pompeii: Stunning new paintings unearthed at ancient buried city. Ellie Muir. April 11, 2024 at 2:11 PM (Parco Archeologico di Pompei pre) Fascinating artworks have been uncovered in a new ...
Buried and unseen for nearly 2,000 years, a series of striking paintings showing Helen of Troy and other Greek heroes has been uncovered in the ruined Roman town of Pompeii.
The Taking of Christ (Italian: Presa di Cristo nell'orto or Cattura di Cristo) is a painting, of the arrest of Jesus, by the Italian Baroque master Michelangelo Merisi da Caravaggio. Originally commissioned by the Roman nobleman Ciriaco Mattei in 1602, it is housed in the National Gallery of Ireland , Dublin .
The subject is the eruption of Mount Vesuvius in AD 79 that enveloped the city of Pompeii in volcanic ash killing most of its inhabitants. As a scene from the ancient world it was an appropriate subject for a history painting, then regarded as the highest genre of painting, and the magnitude of the event also made it suitable for a large canvas that would allow Bryullov to showcase all his skills.
Artist Geremia Discanno sketched the painting before it was removed to the museum in Naples. Two other panel paintings, one of Mars and Venus (at o) with three erotes playing with the weapons of Mars and one erote with the toiletry-objects of Venus, and a painting of Theseus and Ariadne, the most popular subject in Pompeian painting, were left ...