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Nino and the Ebb Tides were a doo-wop musical group based in the Bronx, New York, formed in 1956. [3]Their first recording, Franny Franny (credited to "The Ebb Tides"), was the result of meeting talent scout Murray Jacobs in 1957 [5] and was widely played by Alan Freed. [6]
Jukebox is the eleventh studio album by Australian pop vocal group Human Nature released in October 2014. It contains covers from the 1950s and 1960s, with one original song, "End of Days" Group member Andrew Tierney said of 'End of Days'; "It's really become a highlight on the record. It goes back to those soul ballads, and it's also got a ...
Human Nature are an Australian pop vocal group, which formed in 1989, as a quartet featuring Toby Allen, Phil Burton and brothers, Andrew and Mike Tierney.Originally they were established as a doo-wop group, called the 4 Trax, when the members were schoolmates.
Doo-wop (also spelled doowop and doo wop) is a subgenre of rhythm and blues music that originated in African-American communities during the 1940s, [2] mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, D.C., and Los Angeles.
Lois likes the boys, but thinks they need to add a fourth member to become a proper doo-wop quartet. After hearing Duke sing ("Fools Fall in Love"), the boys welcome him into the group and Lois realizes her budding romantic feelings for him. As the newly formed quartet rehearses, Denny struggles with Duke singing lead ("Runaround Sue").
Recorte Records was a music publisher founded by Murray Jacobs in March 1958. [1] They were a significant publisher of doo-wop material from New York. Artists included: Big Joe Hardin [2]
Sha Na Na was an American rock and roll and doo-wop revival group formed in 1969. The group performed a song-and-dance repertoire based on 1950s hit songs that both revived and parodied the music and the New York City street culture of the 1950s.
"Silhouettes" is a song made famous by the doo-wop group the Rays in 1957, peaking at number 3 on the U.S Billboard Hot 100. A competing version by the Diamonds was also successful. In 1965 it was a number 5 hit in the US for Herman's Hermits, and in 1990 it was a number 10 hit in the UK for Cliff Richard.