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In a 2015 retrospective, Dazed magazine called Merry-Go-Round one of McQueen's darkest shows. [87] Fashion theorists Adam Geczy and Vicki Karaminas regard What a Merry-Go-Round as "unjustly overshadowed" by the preceding collection, Voss. [88] Despite its positive reception, Merry-Go-Round was not one of McQueen's personal favourites.
Writing for Vogue, Sarah Mower was disappointed that the collection mainly showcased safe ideas McQueen had explored before, although she felt the results were solid. She thought the runway show was repetitive and cynical, calling it "a merchandise run-through of dubious taste". [19] The collection is viewed with little enthusiasm in retrospect.
In June, the third 'Raw Research' collection - Raw Research III - was presented in the raw and industrial setting of Galerie Lübeck in the 16th arrondissement, during Paris Men's Fashion Week. [41] In 2017, British Vogue broke the news exclusively of Aitor Throup designing womenswear in the Raw Research III collection, his first ever ...
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The coiled corset from Look 47 of The Overlook, pictured backstage at the 2004 McQueen retrospective show Black. The Overlook (Autumn/Winter 1999) was the fourteenth collection by British fashion designer Alexander McQueen for his eponymous fashion house.
McQueen developed the collection following the launch of his own label with Taxi Driver, which was exhibited in March 1993 at the Ritz Hotel in London in lieu of a fashion show. An eclectic collection with no straightforward theme, Nihilism pushed back against dominant womenswear trends with its hard tailoring, and aggressive, sexualised ...
Razor clamshell dress from Voss at Sleeping Beauties: Reawakening Fashion, Metropolitan Museum of Art, 2024. Voss is the seventeenth collection by British fashion designer Alexander McQueen, made for the Spring/Summer 2001 season of his eponymous fashion house. The collection drew on imagery of madness and the natural world to explore ideas of ...
In an industry filled with blowhards, Doug Davis flies pretty far under the radar, at least for a major music attorney, son of one of its most legendary executives and, for nearly two decades, co ...