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Women in the Philippines (Filipino: Kababaihan sa Pilipinas) may also be known as Filipina or Filipino women. Their role includes the context of Filipino culture , standards, and mindsets. The Philippines is described [ by whom? ] to be a nation of strong women, who directly and indirectly run the family unit, businesses, and government agencies.
That put the Philippines way ahead of others in Asia in offering education for women, indeed even ahead of some European countries. Leona Florentino, a female poet who was the product of that public education system during the final moments of the 19th century, is now regarded as the "founder of women's literature" in the Philippines. [1] [2]
The Philippines has many constitutional and legislative protections for women; particularly in the area of violence against women. Some of these include or are included in; The 1987 Philippine Constitution in article II, section 14 maintains that the State, "recognizes the role of women in nation building and shall ensure the fundamental ...
The gabbang performance includes flirty and humorous content, spontaneously done and improvised. Two women play the gabbang xylophone, and 2 male performers play the violin or fiddle. The gabbang performance represents one of the only times men and women are seen performing with each other, an exception in usually gender-segregated communities.
Caroline Sy Hau (born 30 August 1969) is a Chinese-Filipino author [1] and academic [2] known for her work on Filipino culture and literature and for her books The Chinese Question: Ethnicity, Nation and Region In and Beyond the Philippines [3] and Necessary Fictions: Philippine Literature and the Nation, 1946—1980.
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Anita Magsaysay-Ho (born Anita Corpus Magsaysay; May 25, 1914 – May 5, 2012) was a Filipina painter who specialized in Social Realism and post-Cubism in regard to women in Filipino culture. [2] Magsaysay-Ho's work appeals to Modernism by utilizing more abstract designs and styles rather than realistic approaches. [ 3 ]
Pop icon Taylor Swift, with her musical talent, universal appeal and billionaire status, is the queen of American capitalism, writes Jeff Yang.