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Audience design is a sociolinguistic model formulated by Herb Clark in 1982 and Gregory Murphy [1] and later elaborated by Allan Bell in 1984 [2] which proposes that linguistic style-shifting occurs primarily in response to a speaker's audience. According to this model, speakers adjust their speech primarily towards that of their audience in ...
The Annie Award for Character Design in an Animated Feature Production is an Annie Award awarded annually to the best character designer and introduced in 2002. It rewards the design and look of characters for animated feature films.
The main purpose of these principles was to produce an illusion that cartoon characters adhered to the basic laws of physics, but they also dealt with more abstract issues, such as emotional timing and character appeal. The book has been referred to by some as the "Bible of animation", [2] and some of its principles have been adopted by ...
A film crew is a group of people, hired by a production company, for the purpose of producing a film or motion picture.The crew is distinguished from the cast, as the cast are understood to be the actors who appear in front of the camera or provide voices for characters in the film.
Casting character breakdowns, [8] not to be confused with script breakdowns, [9] are often provided by production agents who submit their clients to casting, which provides a brief summary of character (age, gender, race or ethnicity, situations they may be involved in). Well-known actors or actresses have an advantage when it comes to landing ...
When Twentieth Century Fox introduced wide-screen CinemaScope format, the head of production Darryl Zanuck repeatedly reminded his directors to take full advantage of the screen width by staging action all the way across the frame - in his words, 'keep the people spread out'. He wanted the audience to experience the full width of the new screen ...
Audience theory offers explanations of how people encounter media, how they use it, and how it affects them. Although the concept of an audience predates modern media, [1] most audience theory is concerned with people’s relationship to various forms of media. There is no single theory of audience, but a range of explanatory frameworks.
Researchers have identified a strong relationship between prior film experience and conscious awareness of visual manipulations, especially for people with practical experience in production. [22] One study compared the participants’ ability to understand narrative in Hollywood versus experimental film, by measuring interpretational awareness.