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Digital cinematography captures motion pictures digitally in a process analogous to digital photography.While there is a clear technical distinction that separates the images captured in digital cinematography from video, the term "digital cinematography" is usually applied only in cases where digital acquisition is substituted for film acquisition, such as when shooting a feature film.
Some liken CCD to slide film (also known as positive film) and CMOS to negative film. [36] While there were larger CCD sensors made for interchangeable-lens cameras, such as the Leica M9, CCD sensors in fixed-lens cameras maxed out at 2/3″ (1/1.5″). Premium compact cameras of the time contained sensors around 1/1.7″ in size, whereas entry ...
A digital movie camera for digital cinematography is a motion picture camera that captures footage digitally rather than physical film, known as film stock. Different digital movie cameras output a variety of different acquisition formats. Cameras designed for domestic use have also been used for low-budget independent productions. Since the ...
Camera manufacturers have also noticed the renewed interest for film, and new simple point-and-shoot film cameras for beginners, have started to appear. [15] Polaroid was once a power in instant photography. Facing the digital revolution, Polaroid stopped production of instant film in 2008.
1 Film cameras. Toggle Film cameras subsection ... 1.2.5 Other point-and-shoot cameras. 1.3 APS cameras. ... Early Pentax compact digital cameras. DB-100 binoculars ...
Diagram showing a single-camera setup. In filmmaking, television production and video production, the single-camera setup or single-camera mode of production (also known as portable single crew, portable single camera or single-cam) is a method in which all of the various shots and camera angles are taken using the same camera.
Even today, despite the general transition from film to digital and from slide viewing and projection to slide scanning and video display, some of this sturdy equipment is still in use by a small core of enthusiasts of all ages. The 1980s saw a minor revival of stereoscopic photography when several point-and-shoot stereo cameras were introduced.
It has a 28mm f/3.5 Zuiko lens. Its shutter settings are 25, 50, 100, 200, B; its aperture range from 3.5 to 22. The back is removed completely for film loading and unloading. The Pen S is almost the same camera, with the following shutter settings: 8, 15, 30, 60, 125, 250, B. It existed in two versions, with a 30mm f/2.8 lens or a 28mm f/3.5 lens.