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The term changshan is composed of two Chinese characters: chang 《 長 》which can literally be translated as "long" in length and shan 《 衫 》, which literally means "shirt". The term changpao is also composed of the Chinese character chang and the Chinese pao 《 袍 》, which is literally means "robe".
The type of qizhuang that both men and women typically wore consisted of long robes, which can be referred to as the Manchu changpao and also categorized under the broad category of changpao (Chinese: 长袍; Chinese: 長袍; lit. 'long robe') or changshan (simplified Chinese: 长衫; traditional Chinese: 長衫; lit. 'long shirt'). [14]
Chinese clothing, including ethnic minority garments, and modern adaptations of indigenous styles, is a vital aspect of Chinese culture and civilization. For thousands of years, Chinese clothing has evolved with dynastic traditions, foreign influences, and cultural exchanges, adapting to the needs of each era. [ 1 ]
There is also the term changru (simplified Chinese: 长襦; traditional Chinese: 長襦; pinyin: chángrú; lit. 'long jacket') which appear in texts and has been described as the precursor of the chang ao by scholars. [11]: 48–50 According to the Guangyun, however, the changru can also be a form of paofu. [20]
Daxiushan (大袖衫), translated as "Large Sleeve Gown", is a traditional Chinese attire for women and was most popular during the Tang dynasty amongst the royal family. After the golden age of the Tang dynasty ended, the influence of Hufu (胡服), or clothing styles from Central and Western Asia , gradually weakened and Tang royal women's ...
"Han clothing") are the traditional styles of clothing worn by the Han Chinese since the 2nd millennium BCE. There are several representative styles of hanfu , such as the ruqun (an upper-body garment with a long outer skirt), the aoqun (an upper-body garment with a long underskirt), the beizi and the shenyi , [ 1 ] and the shanku (an upper ...
Paofu (Chinese: 袍服; pinyin: páofú; lit. 'robe'), also known as pao (Chinese: 袍; pinyin: páo; lit. 'robe') [1] [2]: 90 for short, is a form of a long, one-piece robe in Hanfu, which is characterized by the natural integration of the upper and lower part of the robe which is cut from a single fabric. [3]
The history of water sleeves in Chinese performance art reflects centuries of cultural and theatrical evolution. [3] While long and flowing sleeves were already prevalent in imperial China, symbolizing grace, authority, and elegance, their origins can be traced back to the Han dynasty. Sleeve movements during this time were integral to early ...
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