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All-fifths tuning. All-fifths tuning refers to the set of tunings for string instruments in which each interval between consecutive open strings is a perfect fifth. All-fifths tuning is the standard tuning for mandolin and violin and it is an alternative tuning for guitars. All-fifths tuning is also called fifths, perfect fifths, or mandoguitar ...
musical consonance relying upon intervals of fifths or fourths 2: Roland Corporation, c.1977: marketing term, independent of meaning 1, a portmanteau of parallel (side by side) and phony (of sound or voice) the ability of electronic musical instrument to simultaneously produce and layer different sounds triggered and pitched by a single input ...
An important acceptable case of hidden fifths in the common practice period are horn fifths. Horn fifths arise from the limitation of valveless brass instruments to the notes of the harmonic series (hence their name). In all but their extreme high registers, these brass instruments are limited to the notes of the major triad. The typical two ...
In 1 ⁄ 4-comma meantone, by definition 11 perfect fifths have a size of approximately 697 cents (700 − ε cents, where ε ≈ 3.42 cents); since the average size of the 12 fifths must equal exactly 700 cents (as in equal temperament), the other one must have a size of about 738 cents (700 + 11ε, the wolf fifth or diminished sixth); 8 major ...
In music theory, counterpoint is the relationship of two or more simultaneous musical lines (also called voices) that are harmonically interdependent yet independent in rhythm and melodic contour. [1] The term originates from the Latin punctus contra punctum meaning "point against point", i.e. "note against note".
Perfect fifths are the most commonly used interval above the root in Western classical, popular and traditional music. Some 20th-century theorists, notably Howard Hanson, [2] Carlton Gamer, [3] and Joseph Schillinger [4] expand the term to refer to any combination of three different pitches, regardless of the intervals. Schillinger defined ...
In music theory, a pitch simultaneity is more than one pitch or pitch class all of which occur at the same time, or simultaneously: "A set of notes sounded together." [1] Simultaneity is a more specific and more general term than chord: many but not all chords or harmonies are simultaneities, though not all but some simultaneities are chords.
The concept of harmonic function originates in theories about just intonation.It was realized that three perfect major triads, distant from each other by a perfect fifth, produced the seven degrees of the major scale in one of the possible forms of just intonation: for instance, the triads F–A–C, C–E–G and G–B–D (subdominant, tonic, and dominant respectively) produce the seven ...