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A "Fenian" Claddagh ring, without a crown, is a slightly different take on the design but has not achieved the level of popularity of the crowned version. Claddagh rings are relatively popular among the Irish [11] and those of Irish heritage, such as Irish Americans, [18] as cultural symbols and as friendship, engagement, and wedding rings. [19]
The most common setting for engagement rings is the solitaire prong setting, which was popularized by Tiffany & Co. in 1886 and its six-claw prong setting design sold under the "Tiffany setting" trademark. The modern favorite cut for an engagement ring is the brilliant cut, which provides the maximum amount of sparkle to the gemstone. [46]
A resurgence of Celtic and medieval style Scottish jewellery occurred in the 19th century, [27] as did the popularisation of agate pieces, also known as "pebble jewellery". [28] During this period there was a rise in creation and wear of brooches and bracelets set with Scottish stones due to Queen Victoria's interest in agates, cairngorms ...
A diamond solitaire engagement ring. Now popular in engagement rings, this usage dates back to the marriage of Maximilian I to Mary of Burgundy in 1477. [17] A popular style is the diamond solitaire, which features a single large diamond mounted prominently. [18] Within solitaire, there are three categories in which a ring can be classified ...
The triquetra is often used artistically as a design element when Celtic knotwork is used, especially in association with the modern Celtic nations. The triquetra, also known as a "Irish Trinity Knot", is often found as a design element in popular Irish jewelry such as claddaghs and other wedding or engagement rings.
Gold jewelry (necklaces, bracelets, rings) were worn as symbols of social class and were often of high craftsmanship and artistic quality. Girls of the Hallstatt and early La Tène culture wore amber chains and amulets as individual chains or multiple string colliers; the colliers had up to nine strings and over a hundred amber beads. [ 80 ]
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