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The symbol of perhaps the widest distribution is the Ichthys (Greek: ΙΧΘΥΣ, fish), used since the second century as an acronym for "Ίησοῦς Χριστός, Θεοῦ Υἱός, Σωτήρ" (Iesous Christos, Theou Huios, Soter), meaning "Jesus Christ, Son of God, Saviour". [2]
The lion is also a symbol of courage, bravery, and protection. The Eagle The eagle represents Jesus as the Son of God, symbolizing His divinity, majesty, and power. This face is often associated with Jesus’ role as the Son of God, who came to reveal the Father’s love and glory. The eagle is also a symbol of freedom, strength, and vision.
Cernunnos, god associated with horned male animals, produce, and fertility; Druantia, hypothetical Gallic tree goddess proposed by Robert Graves in his 1948 study The White Goddess; popular with Neopagans. Nantosuelta, Gaulish goddess of nature, the earth, fire, and fertility; Sucellus, god of agriculture, forests, and alcoholic drinks
J. E. Millais: The Return of the Dove to the Ark (1851). According to the biblical story (Genesis 8:11), a dove was released by Noah after the Flood in order to find land; it came back carrying a freshly plucked olive leaf (Hebrew: עלה זית alay zayit), [8] a sign of life after the Flood and of God's bringing Noah, his family and the animals to land.
The imiut emblem- an image of a stuffed, headless skin of an animal tied to a pole mounting a pot, was a symbol associated both with Osiris as god of the underworld and with Anubis, god of mummification, was sometimes included among a deceased person's funerary equipment. [13]
The god Set depicted as a man with a set-animal head. Drawings of the sha appear in Egyptian artwork from Naqada III until at least the period of the New Kingdom, a period of some two thousand years. Although sometimes described as a fantastic or composite animal, it was depicted in a realistic manner more typical of actual creatures.
The art of the Middle Ages was mainly religious, reflecting the relationship between God and man, created in His image. The animal often appears confronted or dominated by man, but a second current of thought stemming from Saint Paul and Aristotle, which developed from the 12th century onwards, includes animals and humans in the same community of living creatures.
The Horses of Neptune, illustration by Walter Crane, 1893.. Horse symbolism is the study of the representation of the horse in mythology, religion, folklore, art, literature and psychoanalysis as a symbol, in its capacity to designate, to signify an abstract concept, beyond the physical reality of the quadruped animal.