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Larghetto: broad-ish: Slightly less dignified than largo (so slightly faster tempo) Lento: slow: Slow tempo Lentando: slowing: Decelerating, slowing down L'istesso tempo: the same time: At the same tempo Moderato: moderate: Moderate tempo Mosso: moved, agitated: Agitated Presto: prompt, quick; ready for action: Very fast Prestissimo: very ...
larghetto Somewhat slow; not as slow as largo larghezza Broadness; con larghezza: with broadness; broadly larghissimo Very slow; slower than largo largo Broad (i.e. slow) lasciare suonare "Let ring", meaning allow the sound to continue, do not damp; used frequently in harp or guitar music, occasionally in piano or percussion. Abbreviated "lasc ...
Also, sometimes ritenuto does not reflect a tempo change but rather a 'character' change.) Rubato – free adjustment of tempo for expressive purposes, literally "stolen"—so more strictly, to take time from one beat to slow another; Slargando – gradually slowing down, literally "slowing down", "widening" or "stretching"
Larghetto. The second movement, marked ♪=80, is in 2 4 time. After a brief introduction the main theme is what Newman describes as "a long and flexible melody sung by the first violins … one of the finest and most sustained that ever came from Elgar's pen": [17] Main theme, violin line
This movement, Larghetto, is in the dominant key of A major and is one of Beethoven's longest symphonic slow movements. There are clear indications of the influence of folk music and the pastoral, presaging his Symphony No. 6 ("Pastoral") .
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The first section, marked Larghetto, features an intricate, elaborately ornamental melody over an even quaver bass. The second section, labeled doppio movimento (double speed), resembles a scherzo with dotted quaver-semi quaver melody, semiquavers in a lower voice in the right hand, and large jumps in the bass.
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