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Digital Instrumentation Recorder is a magnetic tape data storage format developed by Sony. [1] It uses a ¾" wide tape, in a cassette with two reels, ...
They manufactured a total of 18 digital recorders, of which seven were sold and the rest leased out. [2] Although most recordings were of classical music, the range included country, rock, jazz, pop, and avant-garde. The first US live digital recording was made in 1976 by Soundstream's prototype 37 kHz, 16-bit, two channel recorder. [3]
Digital Tape Recording System (DTRS) is a signal recording and playback medium developed by TASCAM, a division of the TEAC Corporation, that was stored on Hi8 video cassettes. It allowed up to 108 minutes of continuous digital multitrack recording on a single tape.
The files generated with digital recorders vary in size, depending on the manufacturer and the format the user chooses. The most common file formats that digital recorders generate have one of the extensions WAV, WMA and MP3. Many dictation machines record in the DSS and DS2 format. Dictation audio can be recorded in various audio file formats.
The Series1 was the original TiVo digital video recorder. Series1 TiVo systems are based on PowerPC processors connected to MPEG-2 encoder/decoder chips and IDE/ATA hard drives. Series1 TiVo units used one or two drives of 13–60 GB.
A Sony PCM-501ES EIAJ LPCM Adapter on a Sony SL-HF360 VTR. The Sony PCM-1600 was the first commercial video-based 16-bit recorder. The 1600 (and its later versions, the 1610 and 1630) used special U-matic-format VCRs also furnished by Sony for transports, such as the BVU-200B (the first model of VCR optimized to work, and sold with, the PCM-1600 in 1979), [2] BVU-800DA, VO-5630DA, and the ...
The result was the 3M Digital Audio Mastering System, which consisted of a 32-track deck (16-bit, 50 kHz audio) running 1-inch tape and a 4-track, 1/2-inch mastering recorder. 3M's 32-track recorder was priced at $115,000 in 1978 (equivalent to $554,000 in 2024).
Again the acetate is deemed not as good as the digital backup, so the digital master is used for the LP record (Sound80 Records S80-DLR-102). This makes it the first U.S. non-classical digital release. Within 6 months the hand-built ("very bulky and finicky") 3M digital recorder is disassembled, rendering the non-standard master tape unplayable.
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