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Marble height 5.17 meters (17.0 feet) Madonna and Child (Madonna of Bruges) 1501–1504 Church of Our Lady, Bruges: Marble height 128 cm David De Rohan (in Italian) 1502–1508 Lost: Bronze Saint Paul: 1503–1504 Cathedral, Siena: Marble Saint Peter: 1503–1504 Cathedral, Siena: Marble Saint Pius: 1503–1504 Cathedral, Siena: Marble Saint ...
Madonna and Child shares certain similarities with Michelangelo's Pietà, which was completed shortly before – mainly, Mary's flowing robe, and the movement of the drapery. The long, oval face of Mary is also reminiscent of the Pietà. The work is also notable in that it was the first sculpture by Michelangelo to leave Italy during his lifetime.
Lorenzo Bartolini, (Italian, 1777–1850), La Table aux Amours (The Demidoff Table), Metropolitan Museum of Art, New York City, Marble sculpture. Marble has been the preferred material for stone monumental sculpture since ancient times, with several advantages over its more common geological "parent" limestone, in particular the ability to absorb light a small distance into the surface before ...
Head of a Faun is a lost sculpture by Italian Renaissance master Michelangelo, dating from c. 1489.His first known work of sculpture in marble, it was sculpted when he was 15 or 16 as a copy of an antique work with some minor alterations.
A marble replica of David is located in the gardens of the Instituto Ricardo Brennand, Recife, Brazil. It was made by Cervietti Franco & Company, again of Pietrasanta. A marble replica of David is located in Cerro Otto gallery of art, Bariloche, Rio Negro, Argentina. The gallery also displays replicas of Michelangelo's Moses and Pietà. [23]
It was sculpted around 1490, when Michelangelo was about fifteen. This and the Battle of the Centaurs were Michelangelo's first two sculptures. The first reference to the Madonna of the Stairs as a work by Michelangelo was in the 1568 edition of Giorgio Vasari's Lives of the Most Excellent Painters, Sculptors, and Architects. [1]
The tondo dates to Michelangelo's time in Florence before his move to Rome in 1505. According to the art historian, Vasari, while working on his David, Michelangelo "also at this time... blocked out but did not finish two marble tondi, one for Taddeo Taddei, today in his house, and for Bartolomeo Pitti he began another... which works were considered outstanding and marvellous".
The Atlas Slave is a 2.77m high marble statue by Michelangelo, dated to 1525–1530. It is one of the 'Prisoners', the series of unfinished sculptures for the tomb of Pope Julius II . It is now held in the Galleria dell'Accademia in Florence .
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